Louis Touchagues

Piper - Original Mixed Media Drawing, Watercolor on Paper, 1970s

1970s

Watercolor on paper. A refined and evocative drawing by Mino Maccari, executed in watercolour with brush, combining delicate blue and warm red washes to articulate a loosely connect...

Watercolor on paper realized by Sirio Pellegrini in 1960s. Hand signed. Includes a contemporary wooden frame 106x82.5 cm. Very good condition. Sirio Pellegrini, born in Rome on M...

Figures is a artwork realized by Louis Touchagues. Original mixed Media Drawing. Annotated in pencil on the lower right corner: "Paris magazine April 35". Fair conditions, light s...

The Devil is a watercolor Drawing realized by Mino Maccari (1924-1989) in the 1960s. Hand-signed on the lower margin. Good condition. Mino Maccari (Siena, 1924-Rome, June 16, 198...

Watercolor & ink depicting a woman in a purple dress with her eyes shaded in blue with a crowd in the background in orange, pink and yellow tones. Presented in a silvertone metal...

Preparatory drawing by Roger Capron in acrylic pencil on craft paper. Roger Capron, a French ceramist, discovered ceramics in 1946 in Vallauris, where he founded the Callis workshop....

Watercolor and ink depicting two women standing behind a colorful bouquet of flowers. The women with dark poignant eyes are standing in a crowd with other figures in the background. ...

Mid-century lyrical surrealist abstract watercolour on paper by French artist Jean Clerté, signed and dated bottom right. Presented in mid-century frame. Jean Clerté , born in 1930 in Saint-Savin-sur-Gartempe in Vienne, is a French painter, engraver, draftsman, watercolourist and sculptor . This work is a great example of his more humorous and expressive work influenced by Alechinsky from the late 1960s onwards. There is a light playfulness and yet the watercolours are more vivid than his previous palette. Jean Clerté works in series. His sequential narrations testify both to a youthful spontaneity and to a perfect mastery in the distribution of forms and images on the painted surface. The narration is not only an accumulation of juxtaposed fragments and symbols, it forms a whole, it takes on and gives meaning. In general, we can say of Clerté that he practices an “eco-art” that feeds on primary hungers: the feeling of being united with nature, the vegetable, the mineral, the aquatic. In his colourful canvases, his inks, his boxes, his objects, like a shaman on the path of his dreams, the painter Clerté mounts an assault on beasts and demons, elves and gnomes. From the Poitevin marshes to the tropical forests emerges a fauna caught in the meanders of a design that marvels at the appearance of these grotesque idols. Jean Clerté began to draw and paint at a very young age, and at the age of 15 he enrolled at the École des Beaux-Arts in Poitiers. Then in 1949, curious about the capital, he moved to Paris. Having very few financial resources, he could not continue his studies at first, worked as a model to survive, and met other artists; he was then admitted to the studio of Ossip Zadkine and, from 1952, he was also able to study engraving at Atelier 17 of Stanley William Hayter, an English engraver and printer living in Paris associated in the 1930s with surrealism. At the end of the 1960s, he worked alongside Pierre Alechinsky, founding member of the Cobra movement, engraving Alechinsky's originals, benefiting from his advice, and discovering acrylic as a medium. From 1976, Jean Clerté became associate professor at Hayter. Clerté had taught previously, in 1971 at the Salzburg Summer University and in 1972 he gave courses at the Paris-Sorbonne University . In 1981, he was appointed professor at the School of Decorative Arts , where he had Maïlys Seydoux-Dumas as a student and, from 1983 to 1988, he was Alechinsky's assistant professor at the Paris School of Fine Arts. His first works are part of the current of lyrical abstraction, and are nourished by impressions of nature (landscape motifs, e.g. forest fires, waterscapes), then around 1968, encouraged by Alechinsky, he rejects abstraction, and his work becomes more figurative with expressive and humorous elements. From this period his colours are more subdued, often with pastel tones, he works on series. Jean Clerté has created a world in a space where drawing, painting, objects participate in a playful figuration. From his drawings were born sculptures and sometimes mobiles (Le Moulin à dessin). If it is the artist who makes astonishing, polychrome, whimsical “toys”, it is the painter who appeals to adults through his caustic and satirical humour. His first exhibitions in France took place at the Galerie Massol , then at the Galerie Pascal...