Handmade Paper Animal Prints

These original 1830s Scottish hummingbird prints are hand-colored engravings from Sir William Jardine’s celebrated The Naturalist’s Library, published in Edinburgh by W. H. Lizars. T...

These original 1830s Scottish hummingbird prints are hand-colored engravings from Sir William Jardine’s celebrated The Naturalist’s Library, published in Edinburgh by W. H. Lizars. T...

circa 1950. Woodblock print in black and gray ink on Japon laid paper, 10 1/4 x 15 3/4 inches (260 x 398 mm), full margins. With the artist's embossed chop mark in red ink in the l...

An illustration from an extensive study on larks (De Alaudis) first published in 1555; Historiae animalium is considered one of the foundational texts of modern zoology. Alavda sine...

These original 1830s Scottish hummingbird prints are hand-colored engravings from Sir William Jardine’s celebrated The Naturalist’s Library, published in Edinburgh by W. H. Lizars. T...

Artist: Saverio Manetti (Italian, 1723-1785) Title: "Eagle" (Plate V - 5) Portfolio: Storia Naturale Degli Uccelli (The Natural History of Birds) Year: 1767-1776 Medium: Original Han...

These original 1830s Scottish hummingbird prints are hand-colored engravings from Sir William Jardine’s celebrated The Naturalist’s Library, published in Edinburgh by W. H. Lizars. T...

These original 1830s Scottish hummingbird prints are hand-colored engravings from Sir William Jardine’s celebrated The Naturalist’s Library, published in Edinburgh by W. H. Lizars. T...

Napoleon in the Snow is a hand coloured limited edition drypoint etching by Kate Boxer. The contemporary Kate Boxer artwork depicts Napoleon mounted on his horse. Kate Boxer makes th...

Tennessee Williams and Mr Moon is a handmade dry point print by artist Kate Boxer, featuring a boxer dog sitting obediently with his owner. ADDITIONAL INFROMATION: Drypoint print, ...

Artist: Mark Catesby (English, 1638-1749) Title: "Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk)" (Plate/Tab 62) Portfolio: Natural History of Carolina, Florida & the Ba...

These original 1830s Scottish hummingbird prints are hand-colored engravings from Sir William Jardine’s celebrated The Naturalist’s Library, published in Edinburgh by W. H. Lizars. T...

These original 1830s Scottish hummingbird prints are hand-colored engravings from Sir William Jardine’s celebrated The Naturalist’s Library, published in Edinburgh by W. H. Lizars. T...

These original 1830s Scottish hummingbird prints are hand-colored engravings from Sir William Jardine’s celebrated The Naturalist’s Library, published in Edinburgh by W. H. Lizars. T...

THE INFANTA AND TIAGA (UNFRAMED) Drypoint, carborundum and gouache 33 1/2 x 27 1/2 in 84 x 69.5 cms First Edition of 30 Infanta Luisa Teresa of Spain (1824-1900) was the daughter of...

Tennessee Williams and Mr Moon is a handmade dry point print by artist Kate Boxer, featuring a boxer dog sitting obediently with his owner. ADDITIONAL INFROMATION: Drypoint print, ...

These original plates were produced using sophisticated color-printing and engraving techniques, with color finishing applied by hand. Fruit is presented with remarkable naturalism—o...

This digital print on handmade paper comes in a natural wood archival framing presentation I have called the body of work that I have done over the past decade “Imaging Biodiversity...

These original 1830s Scottish hummingbird prints are hand-colored engravings from Sir William Jardine’s celebrated The Naturalist’s Library, published in Edinburgh by W. H. Lizars. T...

Original 18th-century French ornithological copperplate engraving by François-Nicolas Martinet (1731–1800), one of the most accomplished natural-history illustrators and engravers of...

These original 1830s Scottish hummingbird prints are hand-colored engravings from Sir William Jardine’s celebrated The Naturalist’s Library, published in Edinburgh by W. H. Lizars. T...

An original 18th-century French hand-colored engraving depicting butterflies and moths, from the *Histoire Naturelle* series published in Paris circa 1778. These elegant natural-hist...

Original print from feathers and stencil on five layers of Japanese paper, limited edition. framed dimensions: 50 x 50 cm Artist's infromation: Ruth Thomas RCA is a contemporary pr...

These original 1830s Scottish hummingbird prints are hand-colored engravings from Sir William Jardine’s celebrated The Naturalist’s Library, published in Edinburgh by W. H. Lizars. T...

These original 1830s Scottish hummingbird prints are hand-colored engravings from Sir William Jardine’s celebrated The Naturalist’s Library, published in Edinburgh by W. H. Lizars. T...

Original 18th-century French ornithological copperplate engraving by François-Nicolas Martinet (1731–1800), one of the most accomplished natural-history illustrators and engravers of...

Original 18th-century French ornithological copperplate engraving by François-Nicolas Martinet (1731–1800), one of the most accomplished natural-history illustrators and engravers of...

Original print from feathers and stencil on five layers of Japanese paper, limited edition. Framed size: 75 x 50 cm. About the artist: Ruth Thomas RCA is a contemporary printmaker b...

Signed, lower left, 'T. Nakayama' for Tadashi Nakayama (Japanese, 1927-2014), dated 1971 and inscribed, lower right, with number and edition limitation, '1/65'. Sheet dimensions: 41...

Original print from feathers and stencil on five layers of Japanese paper, limited edition. Framed size: 75 x 50 cm Artist's information: Ruth Thomas RCA is a contemporary printmake...

Vibrant print of a coyote by Daniel Stolpe (American, 1939-2018). Titled, numbered ("Presentation Proof"), signed and dated along bottom edge. Presented in a black frame with a double mat. Sheet on verso with information about the piece, stating that only 5 Presentation Proofs were created, making this piece 1 of 5. Paper size: 24"H x 28"W. (2018) Master artist and Native Images lithographer Dan "Coyote" Stolpe slipped out of his non-functioning body, and is running free at last and howling in the hills. Born and raised in Los Angeles, Dan's father introduced him to Native American teachers of Art and Culture through the Woodcraft Rangers, who influenced Dan for the rest of his life. "Everything was patterned after a tribal structure," Stolpe said. We learned about Indian life and lore and we had Indian guys teach us how to make Indian costumes and about Indian dance and drums. That's what got me interested." Dan made his first drum when he was 14, and he was quietly playing that same drum during his final days of life. Stolpe attended LA Co. Art Institute (OTIS) on scholarship until 1962, when he dropped out to Apprentice with artist Don La Viere Turner in Glendora, and then with Master Printer Joe Funk in Venice until 1966. Commissioned by the Smithsonian Institute, he moved to Washington DC to illustrate extinct birds...

Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 4/10 i...

Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 38/50 ...

Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 23/50 ...

Etching with aquatint in colors on white wove paper with a deckle edge, 18 x 15 inches (457 x 381 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 123/...

Woodcut on hand made laid paper with the publisher's watermark designed by the artist, full margins. From the special suite of 53 woodcut illustrations which were laid in loose to t...

Etching on Chine collé mounted to cream wove paper, 3 7/8 x 5 7/8 inches (97 x 147 mm), full margins. With a pencil notation in the right margin on the recto (outside of image area),...

These original plates were produced using sophisticated color-printing and engraving techniques, with color finishing applied by hand. Fruit is presented with remarkable naturalism—o...

These original plates were produced using sophisticated color-printing and engraving techniques, with color finishing applied by hand. Fruit is presented with remarkable naturalism—o...

Born in 1934 in the city of Tlaxcala. He began his artistic training at the National School of Plastic Arts in 1966, remaining there until 1970. He continued his studies at the Colle...

These original plates were produced using sophisticated color-printing and engraving techniques, with color finishing applied by hand. Fruit is presented with remarkable naturalism—o...

Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 (762 x 571 mm), full margins. Signed and numbered 20/50 in penc...

Original 18th-century French ornithological copperplate engraving by François-Nicolas Martinet (1731–1800), one of the most accomplished natural-history illustrators and engravers of...

Original 18th-century French ornithological copperplate engraving by François-Nicolas Martinet (1731–1800), one of the most accomplished natural-history illustrators and engravers of...

An original 19th-century English color bird print from William Thomas Greene’s celebrated Parrots in Captivity, published in London by George Bell & Sons between 1884 and 1887. The three-volume work included 81 richly colored plates illustrating parrots, parakeets, cockatoos, macaws and related species. The illustrations were drawn by British artist Alexander Francis Lydon (1836–1917) and produced by renowned English wood engraver and printer Benjamin Fawcett (1808–1893). These antique bird prints were created using chromoxylography, a sophisticated Victorian process of color printing from wood blocks, with examples also described as hand finished and sometimes heightened with gum arabic. Each antique parrot print...

Original 18th-century French ornithological copperplate engraving by François-Nicolas Martinet (1731–1800), one of the most accomplished natural-history illustrators and engravers of...

Oscar Wilde by Kate Boxer prtint made with drypoint, gouache and carborundum, shows a portrait of Oscar sitting on a red chair wearing a black suit with stripped detailed trousers an...

Great Auk by Kate boxer consists of white and black tones outlining the hand coloured Great Auk. Additional information: Sold unframed Limited Edition of 30 Made with Drypoint, c...

A large print of John Gould & Henry Constantine Richter of Temminck's Tragopan from his published book " Birds of Asia ". John Gould was influenced by James Audubon paintings of bi...

These original plates were produced using sophisticated color-printing and engraving techniques, with color finishing applied by hand. Fruit is presented with remarkable naturalism—o...

Original 18th-century French ornithological copperplate engraving by François-Nicolas Martinet (1731–1800), one of the most accomplished natural-history illustrators and engravers of...

An original 19th-century English color bird print from William Thomas Greene’s celebrated Parrots in Captivity, published in London by George Bell & Sons between 1884 and 1887. The three-volume work included 81 richly colored plates illustrating parrots, parakeets, cockatoos, macaws and related species. The illustrations were drawn by British artist Alexander Francis Lydon (1836–1917) and produced by renowned English wood engraver and printer Benjamin Fawcett (1808–1893). These antique bird prints were created using chromoxylography, a sophisticated Victorian process of color printing from wood blocks, with examples also described as hand finished and sometimes heightened with gum arabic. Each antique parrot print...

Original 18th-century French ornithological copperplate engraving by François-Nicolas Martinet (1731–1800), one of the most accomplished natural-history illustrators and engravers of...

An original 18th-century French hand-colored engraving depicting butterflies and moths, from the *Histoire Naturelle* series published in Paris circa 1778. These elegant natural-hist...

An original 18th-century French hand-colored engraving depicting butterflies and moths, from the *Histoire Naturelle* series published in Paris circa 1778. These elegant natural-hist...

limited_edition Oil based inks on 300gsm Somerset Velvet Paper Edition number 50 Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:1cm Sold Unf...

This woodcut print was created by American artist Leonard Baskin. Baskin is well known for his somewhat grotesque, intricate, surreal drawings and natural subject matter. This print ...

This digital print on handmade paper comes in a natural wood archival framing presentation I have called the body of work that I have done over the past decade “Imaging Biodiversity...

The etching "The Game of Transformation. Butterflies" is an artist's play with meanings and associations. In this work, modern girls are presented in the form of glamorous fluttering...

Original 18th-century French ornithological copperplate engraving by François-Nicolas Martinet (1731–1800), one of the most accomplished natural-history illustrators and engravers of...