Charles Duvent

"Venise au Rialto" original etching

1904

Medium: original etching. This impression on laid paper was printed in 1903 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 9 x 7 inches (228 x 178 mm). ...

Medium: original etching. Catalogue reference: Tabanelli 220. This impression on watermarked laid paper was printed in 1906 and published by Gazette des Beaux Arts. Plate size: 8 5/8...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Medium: original etching. This impression on laid paper was printed in 1904 and published in Paris for the Revue de l'art ancien et moderne. Image size: 8 5/8 x 6 7/8 inches (220 x 1...

Hand signed. Very good conditions.

Small but finely detailed drypoint etching of a lovely scene from the Rialto Bridge in Venice, circa 1930. Titled lower right. Blind stamp lower left. ...

Otto Bacher (1856-1909) Fondamenta Della Zattere, Venice Etching, 1881 (Getscher) Signed in pencil lower right (see photo), VERY RARE SIGNED IMPRESSION Also signed and dated in the plate (see photo) This is a pencil signed proof, not the later unsigned published edition Illustrated: Robert Getscher, The Stamp of Whistler (Allen Memorial Art Museum, Oberlin College, 1977, no. 100, pp. 177-178 The published edition appears in: Publication Location of the etching The American Art Review, vol. II, part II, 1881 Facing p. 230, accompanying S. R. Koehler’s “Mr. Bacher’s Venetian Etchings,” pp. 231–232, in the October 1881 issue. American Art Review Portfolio, no. 24, 1882 Frontispiece. Getscher’s exhibited impression was lent by the Toledo Museum of Art. Reference: Andrew Venetian Series 17 Condition: Excellent Image/Plate size: 7 x 9 15/16 inches Sheet size: 9 3/4 x 13 1/2 inches Provenance: Kennedy Galleries, NY, label (see photo) Otto H. Bacher (1856-1909) Otto Henry Bacher was born in Cleveland, Ohio, to a family of German descent. He first studied art at the age of sixteen with local genre trompe l'oeil still-life artist, DeScott Evans. Although he studied with Evans for less than one year, Bacher's early work, comprised mainly of still lifes, betrays Evans's influence. After a short period in Philadelphia, where he studied at the Pennsylvania Academy of the Fine Arts, Bacher returned to Cleveland and met Willis Seaver Adams...

Venice, il Fondaco dei Turchi is an original Modern artwork realized by Luca Beltrami (1854 - 1933) in 1877. Original B/W Etching on ivory cardboard. Mint conditions. The etchi...