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Marc Chagall, The Rooster, from Tales of Boccaccio, 1950 (after)

1950

$716
£543.69
€652.12
CA$1,025.43
A$1,058.49
CHF 596.61
MX$13,694.36
NOK 6,806.73
SEK 7,180.80
DKK 4,874.20

About the Item

Artist: Marc Chagall (1887–1985) (after) Title: The Rooster (Le Coq) Year: April 20, 1950 Medium: Lithograph on velin paper Paper Size: 14 x 10.5 inches (35.56 x 26.67 cm) Condition: Well preserved, consistent with age and medium Inscription: Unsigned and unnumbered, as issued Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Draeger Freres, Maitres-Imprimeurs, Paris Notes: Excerpted from the album (translated from French), This Verve issue contains the lavis that Marc Chagall composed to illustrate Tales of Boccaccio's Decameron and the paintings on the same theme of the Manuscript of the Dukes of Burgundy preserved in the Arsenal Library. Marc Chagall executed the cover of this work which was completed printing on April 20, 1950 on the presses of Maitres-Imprimeurs, the Draeger Freres. Additional notes: This exquisite lithograph after Marc Chagall (1887–1985), titled Le Coq (The Rooster), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de l'Arsenal (Ms. no. 5193) (Tales of Boccaccio, Paintings from the Manuscript of the Dukes of Burgundy, Library of the Arsenal), Lavis de Marc Chagall, from Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, originates from the 1950 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Draeger Freres, Maitres-Imprimeurs, Paris, 1950. This beautifully expressive composition exemplifies Chagall’s poetic synthesis of color, movement, and imagination. Le Coq captures the artist’s timeless fascination with rural symbolism, metamorphosis, and the joyful interplay between the earthly and the divine. This 1950 issue of Verve, Revue Artistique et Litteraire, titled Contes de Boccace (Tales of Boccaccio), was devoted to the great Italian humanist Giovanni Boccaccio and illuminated manuscripts from the 15th century, interpreted and revived through the eyes of modern artists. Under the artistic direction of Teriade, Marc Chagall contributed a series of lyrical paintings and lavis that reimagined these Renaissance themes with his signature dreamlike color, tenderness, and spiritual symbolism. The issue juxtaposed Chagall’s contemporary vision with the rich heritage of medieval illumination, bridging centuries of artistic imagination. Printed by the master craftsmen of Draeger Freres, the publication stands as a testament to Verve’s tradition of uniting art, literature, and history in one luxurious volume that celebrates the continuity of human creativity from the Middle Ages to modernity. MARC CHAGALL (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style merging elements of Cubism, Fauvism, Expressionism, and Surrealism defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, artists who sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Le Coq, Chagall Verve, Chagall Draeger Freres, Chagall Teriade, Chagall 1950 lithograph, Chagall velin du Marais, Chagall Revue Artistique et Litteraire, Chagall collectible print, Chagall modernist lithograph.
  • Creation Year:
    1950
  • Dimensions:
    Height: 14 in (35.56 cm)Width: 10.5 in (26.67 cm)
  • Medium:
  • Movement & Style:
  • After:
    Marc Chagall (1887 - 1985, French)
  • Period:
  • Condition:
  • Gallery Location:
    Fairfield, CT
  • Reference Number:
    1stDibs: LU1342118754052

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Marc Chagall, The Red Rooster, from Chagall, 1957

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Artist: Marc Chagall (1887–1985) Title: The Red Rooster (Le Coq Rouge) Year: 1957 Medium: Lithograph on velin paper Paper Size: 9.06 x 15.75 inches (23.01 x 40 cm), with centerfold as issued Condition: Well preserved, consistent with age and medium Inscription: Unsigned and unnumbered as issued Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Chagall, Marc, and Julien Cain. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustration 207. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 34 Notes: Excerpted from the album (translated from French), This album was printed by Drager Freres in Montrouge on behalf of Maeght Editeur, 13, Rue de Teheran, Paris VIII. The original color lithographs were drawn by Mourlot Freres. The photographs of the works printed are of Y. Hervochon, M. Routhier, Draeger. Copyright 1957. Additional notes: This exquisite lithograph by Marc Chagall (1887–1985), titled Le Coq Rouge (The Red Rooster), from the album Chagall, originates from the 1957 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1957. This striking composition captures Chagall’s enduring fascination with rural symbolism, love, and memory, distilled through his vibrant palette and dreamlike imagination. In Le Coq Rouge, the radiant crimson rooster stands as a central figure of vitality, awakening, and spiritual renewal—a recurring motif throughout Chagall’s oeuvre that evokes both the folklore of his native Vitebsk and the universal themes of creation and rebirth. Set against a lyrical background of floating forms and luminous color harmonies, the composition blends the earthly and the celestial, uniting pastoral nostalgia with mystical poetry in a single, timeless image. The 1957 album Chagall, published by Maeght Editeur, Paris, and printed by Mourlot Freres, represents one of the great achievements in the collaboration between artist and master printer during the postwar period. Each lithograph in the volume reveals Chagall’s expressive range, from intimate reflection to mythic grandeur, united by his radiant use of color and emotional depth. The project brought together the visionary direction of Aimé Maeght and the technical brilliance of the Mourlot studio, producing works that stand as touchstones of 20th-century printmaking. This publication reflects the spirit of the modern livre d’artiste—where painter, poet, and craftsman worked in harmony to create art that transcends the boundaries of the page. Executed as a lithograph on velin paper, this work measures 9.06 x 7.875 inches (23.01 x 20 cm). Unsigned and unnumbered as issued. 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1950s Expressionist Figurative Prints

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