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1830s Figurative Prints

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Period: 1830s
Industry and Idleness Plate 1:  The Fellow 'Prentices at their Looms
Industry and Idleness Plate 1:  The Fellow 'Prentices at their Looms

Industry and Idleness Plate 1: The Fellow 'Prentices at their Looms

By William Hogarth

Located in Bournemouth, Dorset

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses. A set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted (matted) and ready to frame Edward Smith (fl. 1823-49) The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...

Category

1830s Figurative Prints

Materials

Engraving

Industry and Idleness Plate 3: The Idle 'Prentice at Play In The Church Yard
Industry and Idleness Plate 3: The Idle 'Prentice at Play In The Church Yard

Industry and Idleness Plate 3: The Idle 'Prentice at Play In The Church Yard

By William Hogarth

Located in Bournemouth, Dorset

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses. A set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted (matted) and ready to frame Edward Smith (fl. 1823-49) The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...

Category

1830s Figurative Prints

Materials

Engraving

Comic Poems - Rare Book Illustrated by G. Cruikshank - 1830
Comic Poems - Rare Book Illustrated by G. Cruikshank - 1830

Comic Poems - Rare Book Illustrated by G. Cruikshank - 1830

By George Cruikshank

Located in Roma, IT

Comic Poems ("Seven illustrated books in one volume") is an original modern rare book illustrated by George Cruikshank (London, 1792 - London, 1878) in 1829/1830. Published by Johnston, London. Original First Edition. Seven books bound in one volume (Tom Thumb, The real Devil’s Walk, Monsieur Tonson, The March of intellect, The Devil’s Walk, Steamers v. Stages and The Epping Hunt). Format: in 12°. The book includes Fortyfive etchings and woodcuts. Mint conditions. George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...

Category

Modern 1830s Figurative Prints

Materials

Paper, Etching, Woodcut

Castle Hill - Etching by Joseph Banks - 1837

Castle Hill - Etching by Joseph Banks - 1837

By Joseph Banks 1

Located in Roma, IT

Castle Hill is an artwork, realized by the artist Joseph Banks in 1837. Colore etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Edition by ...

Category

Modern 1830s Figurative Prints

Materials

Etching

Industry and Idleness Plate 5: The Idle 'Prentice Turn'd Away & Sent to Sea
Industry and Idleness Plate 5: The Idle 'Prentice Turn'd Away & Sent to Sea

Industry and Idleness Plate 5: The Idle 'Prentice Turn'd Away & Sent to Sea

By William Hogarth

Located in Bournemouth, Dorset

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses. From a set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted and ready to frame Edward Smith (fl. 1823-49) The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...

Category

1830s Figurative Prints

Materials

Engraving

Corpo Reale dè Veterani ed Invalidi

Corpo Reale dè Veterani ed Invalidi

Located in Roma, IT

Title at the center of the lower margin. Signed on the plate "Petrone." in the lower left margin. "Con permis", in lower-right "Lit. D. Festa, 1836". In very good conditions except ...

Category

Old Masters 1830s Figurative Prints

Materials

Lithograph

Les Drapeaux d’Austerlitz Présentés au Sénat - Etching - 1835

Les Drapeaux d’Austerlitz Présentés au Sénat - Etching - 1835

Located in Roma, IT

Les drapeaux d’Austerlitz présentés au Sénat  is an original artwork realized by Adolphe and Emile Roargue in 1835. This is an authentic engraving from the renowned series France Mi...

Category

Modern 1830s Figurative Prints

Materials

Paper, Etching

Entrée d'Aoste - Etching - 1836

Entrée d'Aoste - Etching - 1836

Located in Roma, IT

Entrée d'Aoste is an original artwork realized in 1836. Etching on paper. Titled and signed on plate on the right corner. Good conditions.

Category

Contemporary 1830s Figurative Prints

Materials

Etching

Départ de Bonaparte pour revenir en France - Etching - 1830s

Départ de Bonaparte pour revenir en France - Etching - 1830s

Located in Roma, IT

Départ de Bonaparte pour revenir en France is an original artwork realized in 1830s . Etching on paper. Titled and signed on plate on the right corner. The artwork depicts Napoleon...

Category

Contemporary 1830s Figurative Prints

Materials

Etching

Infanterie Anglaise - Etching - 1833

Infanterie Anglaise - Etching - 1833

Located in Roma, IT

Infanterie Anglaise is an original artwork realized in 1833 . Etching on paper. Titled and signed on plate on the right corner. Good conditions.

Category

Contemporary 1830s Figurative Prints

Materials

Etching

“Fancy Ball Dress #6”
“Fancy Ball Dress #6”

“Fancy Ball Dress #6”

Located in Southampton, NY

“Fancy Ball Dress. No.6. Alps.” Andre Leon Larue (Mansion) French (1785-1834) Published by W. Spooner 259 Regent St.t. Deposé à Paris. Printed by C. Hullmandel. (Circa 1831) Hand-col...

Category

Academic 1830s Figurative Prints

Materials

Lithograph

Bonaparte in Esling - Etching by Bellange - 1837

Bonaparte in Esling - Etching by Bellange - 1837

Located in Roma, IT

Bonaparte in Esling is an Etching realized by Bellange in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs to the suite suite ...

Category

Modern 1830s Figurative Prints

Materials

Lithograph

Byloke, Ghent; From Picturesque Architecture in Paris, Ghent, Antwerp, Rouen...

Byloke, Ghent; From Picturesque Architecture in Paris, Ghent, Antwerp, Rouen...

By Thomas Shotter Boys

Located in Middletown, NY

Aquatint with hand coloring in oil color on smooth wove paper, 10 1/2 x 14 5/8 inches (266 × 370 mm), full margins. Moderate mat tone, scattered spots of light brown discoloration in...

Category

English School 1830s Figurative Prints

Materials

Oil, Handmade Paper, Aquatint

Rue des Marmousets, Paris; From Picturesque Architecture in Paris, Ghent, ....

Rue des Marmousets, Paris; From Picturesque Architecture in Paris, Ghent, ....

By Thomas Shotter Boys

Located in Middletown, NY

Aquatint with hand coloring in oil color on smooth wove paper, 10 5/8 x 7 3/8 inches (270 x 187 mm), full margins. Laid down to a support, as issued. Moderate toning and surface soil...

Category

English School 1830s Figurative Prints

Materials

Oil, Handmade Paper, Aquatint

Le Roi de Rome - Etching - 1837

Le Roi de Rome - Etching - 1837

Located in Roma, IT

Le Roi de Rome is an Etching realized by Mareke in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs to the suite suite "AtlasB...

Category

Modern 1830s Figurative Prints

Materials

Etching

Aberdeen - Engraving by Samuel Bradshaw - 1838

Aberdeen - Engraving by Samuel Bradshaw - 1838

Located in Roma, IT

Aberdeen is an Etching on paper realized by S. Bradshaw in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.

Category

Modern 1830s Figurative Prints

Materials

Engraving