Bride Figurative Prints

Etching and aquatint on paper. Hand signed, dated and numbered in pencil. Edition of 200. The artwork showcases a wonderful balance of Post-Cubist abstraction and Informel texturi...

Artist: Salvador Dali (1904–1989) Title: Untitled (Sans titre) Year: December 20, 1958 Medium: Engraving on papier d'Auvergne, filigrane au Tricorne, specialement fabrique feuille a ...

Artist: Salvador Dali (1904–1989) Title: Untitled (Sans titre) Year: December 20, 1958 Medium: Engraving on papier d'Auvergne, filigrane au Tricorne, specialement fabrique feuille a ...

KATHE KOLLWITZ (German 1867 -1945) ENDE, (Klipstein 37 ) Etching and aquatint with the von de Becke blind stamp in the lower right. Printed around 1945. Unsigned posthumous impres...

Jan van de Velde II (1593-1641) Tobias Surprised by the Fish Etching and engraving on fine laid paper without watermark, c. 1620-1630 After Moses van Uyttenbroeck (Dutch, c. 1595–aft...

Lithograph on Imperial Japon. From Les affiches Illustrées. Note: Due to the size, weight, and value of this piece, we require shipping through 1stDibs, for its cost effectiveness, ...

Artist: Marc Chagall (1887–1985) Title: The Juggler (La Jongleuse) Year: October 1960 Medium: Lithograph on velin paper Paper Size: 12.5 x 9.625 inches (31.75 x 24.45 cm) Condition: ...

Jean Jansem (1920-2013) – Magicien, 1978 Lithographie sur papier Arches, Signée en bas à droite, justifiée 68,5 x 51,5 cm / 76 x 54 cm Bibliographie: CR Jansem, 1984, n°405 "M...

Official poster designed and created for the tennis tournament held at Roland Garros French Open every year. The poster is a limited edition of 2000. First edition, unsigned and not ...

Auguste RODIN (1840–1917) (after) Lovers, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16.7 x...

Albrecht Dürer (1471-1528) (after) Melencolia Engraving Signed in the plate On Arches vellum, 45 x 31 cm (c. 22 x 12 in) INFORMATION: Created in 1514, Melencolia is one of Albrecht...

Artist: Leonor Fini (Buenos Aires, 1907 – Paris, 1996) Title: Sorcière Bleue (Blue Witch) Date: ca. 1970–1972 Technique: Color lithograph on Arches paper Edition: E.A. 4/35 (Épreuve ...

Louis Conrad Rosenberg, 'Mosque of the Sultan Bayazid, Constantinople', etching, 1927. Signed in pencil. Initialed and dated in the plate, lower left. A fine, richly-inked impression...

Artist: The Connor Brothers Title: Tell Him I Was Too Fucking Busy - Or Vice Versa Medium: Giclee print with silkscreen varnish Year: 2020 Edition: 36/50 Image Size: 25" x 16" Sheet ...

Henri MARTIN Divine Comedy : Dante and Beatrice, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Li...

Lithograph on cream wove paper with a large, modern geometric watermark, 10 x 9 5/8 inches (255 x 245 mm), the full sheet. Signed, dated and numbered 4/25 in pencil in the lower right.

Interiors I: Family Reunion 1984 Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107] Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...

Rich with color and movement, Gerhard Richter’s Abstraktes Bild (Abstract Painting), 1982, Werk 503, brings an expressive energy to the wall. Passages of yellow, green, red, and blue...

Artist: Marc Chagall (1887–1985) (after) Title: The Birds (Les Oiseaux) Year: April 20, 1950 Medium: Lithograph on velin paper Paper Size: 14 x 10.5 inches (35.56 x 26.67 cm) Conditi...

Pablo Picasso (1881-1973) - L'Ecuyère (The Horsewoman) Lithograph from 1960. Dimensions of work: 51.5 x 66 cm. Plate signed. Reference: Bloch 999; Mourlot 333. The work is in Ex...

Color lithograph on Arches paper. Artist proof aside of the ediion of 250. Hand signed in pencil. Ref. Michler-Lopsinger 1358. Rare colorful lithograph representing one of the ar...

ARTIST: Salvador Dali TITLE: The Kingdom MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 40/350 MEASUREMENTS: 29.4" x 21.45" YEAR: 1980 PUBLISHER: Le...

Kamei Tobei, 'First Snow of the Year at Kitano (Kitano Hatsu Yuki)', color woodblock print, c. 1930s. Signed Kamei Tobei in black ink, with the artist red seal Eiichi (the artist’s g...

Etching on paper from "Antiquities of Herculaneum", realized by Filippo Morghen in the late 18th Century. Signed in the plate. Good conditions with some folding. The etching belon...

Louis Icart Faust : Margueritte and Devil Original etching with aquatint Signed in pencil Blind stamp of the editor on the bottom left corner On vellum 62 x 45 cm (c. 25 x 18 in) ...

OUT CHORUS(RHYTHM SECTION) is a limited edition color lithograph printed using traditional hand lithography methods on archival Arches printmaking paper, 100% acid free, in an editio...

"Conception" - Portrait of a Native American on a Vision Quest Large scale and fine detailed work by the artist. Detailed and evocative depiction of a Native American elder by Frank Howell...

Maurice Denis, Untitled (Mother and Child), lithograph, 1897, edition not stated. Signed in the stone, lower right. Annotated in linotype 'MAURICE DENIS, ORIGINAL LITHOGRAPHIE PAN III' in the lower left sheet corner. A fine, atmospheric impression, in warm, dark gray ink, on buff wove paper, with full margins (2 1/2 to 1 3/4 inches); a small discoloration in the bottom left sheet corner, otherwise in good condition. Image size 8 5/8 x 6 7/8 inches; sheet size 13 7/8 x 10 5/8 inches. As published in 'Pan', the leading German magazine of the period devoted to art and literature. Matted to museum standards, unframed. Collection: Los Angeles County Museum of Art. Reproduced: German Expressionist Prints...

Original boxing print with the initials P.B. in the upper left corner. Printer Ed. Sagot Editeur, Paris. Professional acid-free archival linen backed and ready to frame. Excel...

Marc Chagall (1887-1985) - Le Mariage (The Marriage) Lithograph from 1965. The edition of 26/30 on Arches paper. Dimensions of work: 56.5 x 76.5 cm. Hand signed. Reference: Mou...

Figures is a Lithograph realized by Mino Trafeli in 1980s. Edition 16/50. Hand signed. Good conditions. Mino Trafeli (Volterra, December 29, 1922 - Volterra, August 9, 2018) ...

Artist: Henri Matisse (1869–1954) (after) Title: Ballerina (Ballerine) Year: 1952 Medium: Lithograph on velin paper Paper Size: 15 x 11 inches (38.1 x 27.94 cm) Condition: Well prese...

Adriaan Lubbers, 'Times Square', lithograph, 1929, edition 50. Signed, dated, titled, and editioned '(50)' in pencil. A fine impression, on cream wove paper, with full margins (2 1/2...

Lithograph on paper. Hand signed and numbered in pencil. Edition of 100. Very good condition.

Colours Of The Night #3 - This figurative art print on paper captures the essence of timeless style. A neutral, atmospheric background creates an evening-like ambiance. Personalize your space with a sense of quiet sophistication. Hand signed on back. This is #3 from a series of 4 art...

Werner Bronkhorst Horseplay, 2026 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks. Hand-stretched over FSC-cer...

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper 5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...

Colour lithograph on paper, from the celebrated French fashion periodical Journal des Demoiselles. Hand-coloured fashion plate (pochoir colouring), printed by Imp. Falco(n)er, Paris...

Femme qui se Lave - La Toiletteis a color lithograph realized by Henri de Toulouse Lautrec in 1896.  cm. 58 x 45,5; matted. Monogrammed in the plate. Good conditions. This specim...

This artwork titled "Family Reunion" 1992 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947....

Carte de voeux pour Aime Maeght or Femme et Ange (Woman and Angel) Etching with woodcut, 1963 Initialed in the plate lwoer left of image (see photo) Edition: Unknown Published by Ai...

This artwork titled "TheLong Trail West" c.1980 is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed and n...

The awakening of Boaz  is an artwork from the Series "The Bible", by Marc Chagall in 1960. Mixed colored lithograph on brown-toned paper, no signature. Edition of 6500 unsigned lit...

from the Padoli Monotypes III

Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Oraty in the 18th Century. Signed on the plate. Good conditions...

Pablo Picasso "Tête de femme n°1. Portrait de Dora Maar" 1939 Colour aquatint, scraper and drypoint on laid paper with watermark "Picasso" Lower right inscribed and signed by the art...

Correccion is an original artwork realized by Francisco Goya and published for the first time in 1799. Etching on wove paper. This artwork belongs to the Third Edition published in...

Artist: Marc Chagall (1887–1985) Title: Tamar, Daughter-in-Law of Judah (Tamar Belle-Fille de Judas) Year: July 29, 1960 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.67 cm) Condition: Well preserved, consistent with age and medium Inscription: Unsigned and unnumbered, as issued Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne Reference: Chagall, Marc, et al. Chagall Lithographe. Andre Sauret, 1960-1986, illustration 230-276. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne des Livres Illustres. P. Cramer ed., 1995, illustration 42 Notes: Excerpted from the folio (translated from French), This double issue of Verve includes the drawings that Marc Chagall executed in 1958 and 1959 on biblical themes that he had not generally dealt with in his illustration for the Bible, engraved with etching and which were included in issue 33/34 of Verve. This album has 96 renderings in black and 24 color litbographies as well as the cover that were specially made for this album. It was completed printing on July 29, 1960 by Draeger Freres for black gravures and by Mourlot Freres for color lithography. Additional notes: This exquisite lithograph by Marc Chagall (1887–1985), titled Tamar Belle-Fille de Judas (Tamar, Daughter-in-Law of Judah), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. X, No. 37-38, originates from the July 29, 1960 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1960. This visionary composition reflects Chagall’s poetic interpretation of the biblical story of Tamar, evoking themes of justice, identity, and moral complexity through his luminous color and dreamlike symbolism. The flowing forms and expressive imagery convey a sense of quiet intensity and narrative depth, capturing Tamar’s pivotal role within the unfolding story and its enduring resonance within Chagall’s distinctive visual language. Infused with movement and lyricism, the work transforms sacred narrative into a meditative vision of resilience, consequence, and the intricacies of human destiny. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. X, No. 37-38 on July 29, 1960, represents a significant continuation and expansion of Chagall’s profound engagement with biblical imagery and spiritual narrative. Conceived and directed by the visionary publisher Teriade, the publication builds upon the earlier Verve issue devoted to Chagall’s Bible illustrations by presenting a new body of work executed in 1958 and 1959, exploring themes and episodes that had not been fully addressed in the initial series. Printed in Paris by Draeger Freres for black gravures and Mourlot Freres for color lithography, the edition demonstrates an exceptional level of technical refinement and artistic collaboration. The publication includes an extensive suite of ninety six black reproductions and twenty four color lithographs, as well as specially created cover imagery, reflecting Chagall’s continued innovation in translating sacred themes into graphic form. As part of the broader tradition of Verve, one of the most important artistic and literary publications of the twentieth century, this issue exemplifies the fusion of text, image, and craftsmanship at the highest level. Today, Verve Vol. X, No. 37-38 stands as a major achievement within Chagall’s graphic oeuvre, reaffirming his role as one of the foremost interpreters of biblical narrative in modern art. MARC CHAGALL (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style merging elements of Cubism, Fauvism, Expressionism, and Surrealism defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, artists who sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Tamar...

Alphonse Mucha Seasons: Autumn, 1903 Original lithograph Printed signature in the plate Printed on paper 71 x 31 cm (c. 27.9 x 12.2 inches) On paper linen on canvas, 75 x 35.5 cm (c...

Woodcut print on paper realized by Irma Stern in the mid-20th Century. Hand watercolored. Hand signed and numbered in pencil lower right. Edition of 23/40. Good condition.

Screen Print on Magnani-Pescia paper 310 gr/m2, paper size 68cm x 48cm, work size 51cmx40 cm . Good condition, no defects. Gian Paolo Berto was born and raised in the limited but fe...

Curarlos y a otra is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original etching on paper. The artwork belongs to the famous print collection L...

Ecstatic Visions - Purgatory- from the Series "The Divine Comedy" is a woodcut print realized by Dalì in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by D...

Lithograph in colors on paper. Hand signed lower right by Sunol Alvar. Hand numbered 50/250 lower left. Image size: 17.5 x 26 inches. Frame size: 31.25 x 39.25 inches. Artwork i...

CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...

Psaume is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithographs. Printed by M...

"Prometheus" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Map...

Louis John RHEAD (1857-1926) The Sun Original lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 8 of "Les Maîtres de l'Affi...

PAUL GAUGUIN (French 1848 - 1903) DEAUX FEMMES MAORIES ACCROUPIES. 1894-5 (Kornfield 26: Guerin 87 ) Zincograph (Lithograph) on smooth, cream imitation Japan paper, edition 200. Pu...

Daphne I Color lithograph with gilding on Japanese paper from the series 'Retrospective II', edited in 1979. Limited edition, numbered as 107/150 in the lower left corner. Hand-sign...