Early 2000s Still-life Prints

This image features a colorful arrangement of pink, red and purple flowers by American artist, Gary Bukovnik. Bukovnik is an internationally acclaimed painter and printmaker who prim...

ABOUT THIS PIECE: Julio Larraz is an expert draftsman, adroitly sketching his subjects and enlivening them with vibrant color. Larraz is recognized for his precise and detailed techn...

Signed and numbered from an edition of 25, this simple elegant image captures the grace of a single Calla Lilly against a black background. Based in San Francisco, Mark Jenkins has ...

Screenprint Edition 107 of 120 50 x 65.5 cm (19.7 x 25.8 in) Signed, numbered, dated and titled on the front Condition on request This work is sold framed ABE Publishing Dancing Pump...

Tennis, Olympic Games Beijing 2008 is a wonderful colored screen print realized by Fabio Mauri in occasion of the Olympic Games held in Beijing in 2008.  This artwork is a part of t...

Screenprint in colors with black flocking on Somerset paper, 2002 Sheet Size: 30” x 38”, full margins. Impression 10 from the edition of 60 Initialed, numbered and dated along edges...

In Cup, Sean Caulfield transforms a familiar vessel into an enigmatic and symbolic form. Rendered with the rich tonal depth characteristic of mezzotint,...

Donald K. Sultan (b. 1951) Untitled, from Wallflowers Screenprint in colors on wove paper, 2008 24-1/4 x 21-5/8 inches (61.6 x 54.9 cm) (sheet) Ed. 53/190 Initialed, numbered, date...

2009 iPhone drawing printed as an eight-colour inkjet print on cotton fibre archival paper 56 x 43.4 cm Edition of 250 Hand signed, numbered and dated by Hockney Drawn on 28 June 200...

Peter Doig (British, b. 1959). Lapeyrouse Wall, 2004 Etching and aquatint printed in colors on wove paper Signed and dated in pencil by the artist Edition 30/30 Published by the arti...

Eric White (b. 1968). Collusionary Amalgam, 2004. Giclee print on paper. Unframed. Ships rolled in tube. DESCRIPTION Eric White (American,1968), giclee on paper, pencil signe...

The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. His surreal constructions of Kastani (chestnut...

Yayoi Kusama Night Flowers (2003) Screenprint [23 screens, 24 colors, 24 runs] image 28 x 66.3 cm sheet 42.8 x 80 cm framed 51 x 89 x 5 cm ed. 120, AP 12, PP5 paper Kakita-shi printer Okabe Tozuko Provenance: Mainichi Auction Tokyo Japan Publications: A specimen of the same edition is represented in full page at plate 314 of the Catalogue Raisonné of Kusama's prints: "Yayoi Kusama Prints 1979...

Artist: (after) Andy Warhol (American, 1928-1987) Title: "San Francisco Museum of Art (Pepper Pot)" Year: 2004 Medium: Original (double-sided) Offset-Lithograph on Vinyl, Museum Street Banner...

Screenprint in Color, 60/190. Initialed, numbered and dated along edges Published by Parasol Press, New York Often Sultan’s works are very architectural and bold, but the imagery ...

Purple Iris Ed Mell Stone Lithograph image size 26" x 27 3/4" Edition of 200, 2002 "Original Pencil Signature", not an estate stamp ****PRINT IS SOLD UNFRAMED**** THE PASSING OF ED MELL IN FEBRUARY 2024 HAS CREATED VERY LIMITED ACCESS TO ORIGINAL SIGNED PRINTS. ALL FUTURE SALES OF ED MELL PRINTS WILL HAVE THE ESTATE SIGNATURE WITH AN EMBOSSED EMBLEM. IN SOME INSTANCES THERE WILL BE SIGNED ORIGINAL PRINTS WHICH WILL BE AT AN ADDITIONAL PREMIUM PRICE. WE WILL MAKE NOTE ON EACH OFFERING AS TO BEING ORIGINAL SIGNATURE OR ESTATE SIGNED. THANK YOU FOR YOUR UNDERSTANDING, COLLIER GALLERY WE ARE THE EXCLUSIVE FRAME MAKER FOR ED MELL ARTWORKS FOR OVER 45 YEARS. WE OFFER THE ED MELL SIGNATURE FRAMES WITH "EMBOSSED ED MELL SIGNATURE" IN SEVERAL CUSTOM DESIGNED PROFILES. UNLESS THE FRAME HAS HIS SIGNATURE IT IS NOT AN ORIGINAL ED MELL FRAME. BIOGRAPHY OF ED MELL Born in Phoenix, Arizona in 1942, Ed Mell started drawing as soon as he could hold a pencil. Influenced by his older brother Frank’s drawings of World War II combat aircraft and soldiers, Mell found his own hobby designing model automobiles. His interest in automobiles continued into high school, where Mell could usually be found drawing one of his friend’s cars or watching car commercials for future drawing ideas.Graduating from Phoenix Junior College with an Associated Arts Degree, he enrolled in The Art Center College of Design in Los Angeles to pursue his interest in illustration. During his four years of study there Mell broadened his artistic technique and learned to express his artistic conviction. In November, 1967, he accepted a position as a junior art director at Kenyon and Eckhardt, a major New York advertising firm. However, in only 10 months Mell found that the advertising world smothered his creativity. Considering a move back to Los Angeles, he called an old friend, Skip Andrews, who assured him that work there was scarce, and that he himself was planning to move to New York. A few months later Mell and Andrews established their own illustration firm, which they named Sagebrush Studios. Sagebrush Studios became an immediate success, with major corporate clients such as Cheerios and RCA, and illustrations appearing in Esquire and Psychology Today. But success had its price, and within three years the Arizona native was struggling with the fast-paced New York lifestyle and pressures of the advertising business. Mell jumped at the opportunity to teach summer classes in silk screening and drawing on the Hopi Reservation at Hotevilla, Arizona. When the summer session was complete, he took a hard look at his future and decided to get back to his Arizona roots. A few months later he and Andrews closed Sagebrush Studios. Returning to Phoenix, Mell and his younger brother decided to open their own illustration business. But the Phoenix market for illustration was in less demand than Mell was used to, so during breaks he began sketching landscapes using colored pencils. Colored pencils slowly turned into paints and by 1978 he had made the transition from commercial artist to landscape painter. Throughout the years, Mell has constantly changed the subjects he depicts and the techniquess to capture them. Beginning specifically with southwest landscapes, he has moved to other southwestern subjets including cowboys, horses, longhorn cattle and cactuses. Although best known for his oil paintings, he also developed an avid body of collectors for his bronze sculptures. Collectors are often left with a unique visual impression when they witness first-hand the tangling of reality with imagination. Ed Mell has won numerous awards and honors. His art has been exhibited in nine museum shows, including the Eiteljorg Museum of American Indian and Western Art, Scottsdale Center for the Arts, Mesa Southwest Museum, and the Rockwell-Corning Museum of Modern Art. More than 40 corporate and private collections have acquired his paintings and sculptures, and his life as an artist has been chronicled in major art publications. His biography, "Beyond the Visible Terrain: The Art of Ed Mell," was published in l996. His art also has been featured prominently in "Leading the West: 100 Contemporary Painters & Sculptors" and "Place of Spirit: Canyon de Chelly, 100 Years of Painting and Photography. Corporate Collections Atlantic-Richfield Corporation, Los Angeles, California Bank One, Phoenix, Arizona Loew's Ventana Canyon Resort, Tucson, Arizona Mountain Bell, Denver, Colorado Tri-Star Pictures, Hollywood, California U-Haul Corporation, Phoenix, Arizona Public Collections City of Glendale, Glendale, Arizona City of Scottsdale, Scottsdale, Arizona Phoenix Art Museum, Phoenix, Arizona Scottsdale Museum of Contemporary Art, Scottsdale, Arizona Kartchner Caverns, Southern Arizona Private Collections Forbes Collection Mr. & Mrs. Bruce Babbitt, Washington, DC Craig & Barbara Barrett, Phoenix, Arizona Mr. & Mrs. Joseph Coors, Golden, Arizona Stephane Janssen, Scottsdale, Arizona Arnold Schwarzenegger, Los Angeles, California Diane Keaton, Beverly Hills, California Collier Gallery, Tempe Arizona Collier Gallery has been in continuous operation for over 30 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Tempe to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo photography...

Untitled (Still Life) Etching, aquatint and soft ground, 2001 Signed in pencil (see photo) Edition: 260 Published by the Print Club of Cleveland, Publication 80, 2002 Printed by Felix Harlan at Harlan and Weaver, New York William Bailey, Modernist Figurative Painter, Dies at 89 He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery. The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep.Credit...Ford Bailey By William Grimes for the New York Times April 18, 2020 William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than “They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979. Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air. The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.” But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the Betty Cuningham Gallery in 2010, “that it feels, despite its historical sophistication, almost like a brand of outsider art.” William Harrison Bailey...

A "Pylon" of the Brooklyn Bridge with the Manhattan Bridge and Williamsburg Bridge visible in the background is captured in this powerful image by Frederick Mershimer. It is #77 in t...

Pumpkin (Green), 2000 Yayoi Kusama Screenprint in black and green, on 270gsm colorplan wove Signed, titled, dated and numbered 11 from the edition of 100 Published by Serpentine Gal...

Kansei: Like The River's Flow 2010 by Takashi Murakami Offset print, cold stamp and high gloss varnishing with silver ink signed, numbered and stamped by the Artist 27 7/8 in diamete...

Yayoi Kusama Tulipe (I), A.P. from the Edition of 60. Screenprint [8 screens, 8 colors, 11 runs]. Lamé [3 colors] Image: 45.5 x 38 cm. Sheet: 65x 50 cm. Provenance: Ravenel Art Auct...

Jasper Johns Sun on Six, 2000 Color linoleum cut on Gampi Torinoko paper Pencil signed, dated and numbered 4/26 on the front Published by Z Press, Calais, Vermont Frame included: ele...

Though it is stated as an edition of 20, each print in the edition is unique, with handpainting along with stencil painting. Completed on a trip to Paris, it is on a hand-made paper from Bhutan. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

David Nguyen, Vietnamese (1977) Date: 2008 Lithograph, Signed and Numbered in Pencil Edition of AP 18 Image: 20 x 24 inches Size: 24 in. x 30 in. (60.96 cm x 76...

Unknown (In the style of Barry McGee) Judas and Jesus (The last Supper) Lithograph Edition: 4/8 Signed, numbered, dated and inscribed by the artist Size: 3...

Signed, titled and numbered from the edition of 50. Most of his mezzotints are tiny, and his subjects are the simplest of everyday objects: an egg, seashell, carrot, potatoes. Simil...

Signed, titled and numbered by the artist. This intaglio print shows an orchard combined with the classical architectural imagery that often accompany Smith-Harrison's portraits of ...

Mezzotint print. Edition of 18, signed, titled and numbered by the artist. Caulfield has exhibited his prints, drawings, installations and artist’s books extensively throughout Cana...

Artist: David Nguyen, Vietnamese, (1977- ) Title: Flowers Fifteen Year: 2008 Medium: Lithograph, Signed and Numbered in Pencil Edition: AP 3/17 Size: 36 x 24 inches Frame Size: 41 ...

Damien Hirst (b. 1965) is one of the most divisive, high-profile, and arguably misunderstood artists of the contemporary era. (In)famous internationally for encapsulating a tiger sh...

Blue Hydrangea - image bled to plate size ~ 39 x 29 - printed on 100% cotton rag - edition 3/5 Architectural elements

Artist: Donald Sultan Title: Wallflower 26 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 29 3/8" x 26 3/4" Sheet Size: 24 1/4" x 21 1/2"...

Woodcut on wove paper Edition of 10 Signed and dated.

Gary Hume Pinks 2002 Silkscreen 17 3/8 x 14 inches; 44 x 36 cm Edition of 45 Signed, titled, dated and numbered in graphite (lower recto) Frame available upon request Available fr...

Signed, titled and numbered from the edition of 30. A print memorializing a friend in a traditional Mexican altar. Viramontes was the subject of a 1-hou...

Screen print in colors on paper with glitter embellishments. Hand signed lower left by Romero Britto. Hand numbered 255/300 lower left. Sheet size: 28.5 x 34 inches. Image size: ...

An original hand-signed and numbered print by iconic American Conceptual/Pop artist Robert Rauschenberg. Artist: Robert Rauschenberg, American (1925 - 2008) Title: American Indian Y...

Intaglio and relief print on hand-made black Arches paper by New Orleans artist Frances Swigart (b. 1942), titled "Zinnia," from State II of the edition. This impression is numbered ...

Serigraph on paper. Hand signed, titled and numbered by the artist. From the edition of 465. Artwork is in excellent condition. Certificate of Authenticity included. All reasonab...

Ana Mercedes Hoyos is one of the most significant and distinguished figures in Colombian art today. Her work has been seen internationally since 1968 with solo exhibitions in Colombi...

Artist: Ana Mercedes Hoyos, Colombian (1942 - ) Title: Porcelana del Carbe Year: circa 2005 Medium: Lithograph, signed and numbered in pencil Edition: 75 Size: 30 x 20 in. (76.2 x ...

Ana Mercedes Hoyos is one of the most significant and distinguished figures in Colombian art today. Her work has been seen internationally since 1968 with solo exhibitions in Colombi...

Shell by Steven Sorman, (1948 - ) Date: 2001 Medium: Etching with gold leaf mounted on to heavy stock, signed, numbered and dated in pencil Edition: TP Image Size: 11.5 x 6.5 inches...

Eclipse is a Large botanical print of sunflowers by Trevor Southey. Dominated by a deep, midnight blue, the composition is punctuated by vibrant yellow sunflowers—symbols of vitality...

Signed, titled artist proof. Edition of 135. Like much of his work, Royal Palm has atmosphere of the Mediterranean, but all of the elements are rooted in the artist's neighborhood. ...

Ana Mercedes Hoyos is one of the most significant and distinguished figures in Colombian art today. Her work has been seen internationally since 1968 with solo exhibitions in Colombi...

Kiki Smith Toxicology, 2009 Linotype and engraving in black, gray, and yellow on white wove paper. Printed from a magnesium engraving on Vandercook cylinder presses. Hand signed by ...

Various Artists "Something Anything," an exhibition curated by Nayland Blake Matthew Marks Gallery, New York, 2002 Exhibition Poster 17 x 11 1/4 inches S...

Signed, titled and numbered from the edition of 55. This is one of Chmutin's largest prints, a portrait of a large millenium Garlic in dramatic pose. Most of his mezzotints are tiny,...

Ana Mercedes Hoyos is one of the most significant and distinguished figures in Colombian art today. Her work has been seen internationally since 1968 with solo exhibitions in Colombi...

Ana Mercedes Hoyos is one of the most significant and distinguished figures in Colombian art today. Her work has been seen internationally since 1968 with solo exhibitions in Colombi...

Frida and Diego- image bled to plate size ~ 26” x 24” - printed on 100% cotton rag - Architectural elements

Carol Wax's mezzotint, "Singer 10101", is an image of Singer I as seen through a drafting template. It was issued as an edition of 40 and was printed at the Indiana University print...

Cotoneaster is a multi-plate color etching by David Smith-Harrison, depicting a flowering cotoneaster tree set before an architectural façade rendered with classical precision. The c...

THOMAS NOZKOWSKI Mostly Mozart (Hand signed and inscribed), 2007 Offset Lithograph. Hand signed dated 2016 and inscribed to Kevin 29 × 35 inches Personally signed and dedicated by No...

"Moms Pitcher" - Giclee Print on Canvas Giclee still life titled "Moms Pitcher," depicting a blue and white pitcher next to a bundle of freshly cut sunflowers by Coraly Hanson (American, b. 1950). A white and blue table cloth lays under the freshly cut flowers, with red handled snips next to them. A deep purple encapsulates the background. Signed "Coraly '05 1/6" lower right. Presented in a giltwood frame. Frame: 16"H x 18"W Image: 7.5"H x 9.5"W Coraly Hanson (American, b. 1950) loved drawing from early childhood, and began painting in the 1970s, moving on to oil in 2000. Hanson was invited to paint in New Zealand with Kevin MacPherson for his documentary “Passports and Palettes” on PBS. Hanson also studies with Scott Christiansen, Matt Smith, Laurie Kersey, Brian Blood, C. W. Mundy, Ronaldo Macedo, John Cosby, Ray Roberts, Calvin Liang, Randall Sexton, Bill Cramer, John Burton, Jesse Powell...

Dining Room with Horse Painting Aquatint on Hahnemuhle Copperplate paper, 2008 Signed in pencil and numbered lower left Published by the Print Club of Cleveland, Publication No.88, 2...

Irena Snarska (b. 1934, d. 2013) Irena Snarska was born in 1934 in Lviv. She studied at the Faculty of Interior Architecture at the Academy of Fine Arts in Warsaw. Between 1956 and 1...

Tennis, Olympic Games Beijing 2008   is a wonderful colored screen print realized by Fabio Mauri in occasion of the  Olympic Games  held in  Beijing  in  2008.  This artwork is a pa...

"Floating Stones" Monoprint in Ink on Heavy Paper High-contrast composition by California artist Stacey Pollard (American, b. 1962). Although primarily abstract in nature, there are...