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Brian Clarke

Kenny Scharf at Gagosian Gallery 1984 (Kenny Scharf 1984)
Kenny Scharf at Gagosian Gallery 1984 (Kenny Scharf 1984)

Kenny Scharf at Gagosian Gallery 1984 (Kenny Scharf 1984)

By Kenny Scharf

Located in NEW YORK, NY

About Tony Shafrazi In 1979, Shafrazi opened his first New York gallery, and within a few years he had made his reputation handling talents like Donald Baechler and then-hot graffiti...

Category

1980s Pop Art Animal Prints

Materials

Offset

Kenny Scharf at Tony Shafrazi Gallery 1987 (vintage Kenny Scharf)
Kenny Scharf at Tony Shafrazi Gallery 1987 (vintage Kenny Scharf)

Kenny Scharf at Tony Shafrazi Gallery 1987 (vintage Kenny Scharf)

By Kenny Scharf

Located in NEW YORK, NY

About Tony Shafrazi In 1979, Shafrazi opened his first New York gallery, and within a few years he had made his reputation handling talents like Donald Baechler and then-hot graffiti...

Category

1980s Pop Art Prints and Multiples

Materials

Offset

Jim Dine The Robert Fraser Gallery Print famous Deluxe Signed/N British Pop art
Jim Dine The Robert Fraser Gallery Print famous Deluxe Signed/N British Pop art

Jim Dine The Robert Fraser Gallery Print famous Deluxe Signed/N British Pop art

By Jim Dine

Located in New York, NY

The Robert Fraser Gallery became a focal point for modern art in Britain, and through his exhibitions he helped to launch and promote the work of many important new British and Ameri...

Category

1960s Pop Art Abstract Prints

Materials

Lithograph

Recent Sales

Keith Haring Tony Shafrazi Leo Castelli exhibition poster 1985
Keith Haring Tony Shafrazi Leo Castelli exhibition poster 1985

Keith Haring Tony Shafrazi Leo Castelli exhibition poster 1985

By (after) Keith Haring

Located in NEW YORK, NY

Tony Shafrazi In 1979, Shafrazi opened his first New York gallery, and within a few years he had made his reputation handling talents like Donald Baechler and then-hot graffiti artis...

Category

1980s Pop Art Figurative Prints

Materials

Lithograph, Offset

Kenny Scharf at Tony Shafrazi Gallery 1987 (vintage Kenny Scharf)
Kenny Scharf at Tony Shafrazi Gallery 1987 (vintage Kenny Scharf)

Kenny Scharf at Tony Shafrazi Gallery 1987 (vintage Kenny Scharf)

By Keith Haring

Located in NEW YORK, NY

About Tony Shafrazi In 1979, Shafrazi opened his first New York gallery, and within a few years he had made his reputation handling talents like Donald Baechler and then-hot graffiti...

Category

1980s Pop Art More Art

Materials

Offset

Kenny Scharf at Tony Shafrazi Gallery 1987 (vintage Kenny Scharf)
Kenny Scharf at Tony Shafrazi Gallery 1987 (vintage Kenny Scharf)

Kenny Scharf at Tony Shafrazi Gallery 1987 (vintage Kenny Scharf)

By (after) Keith Haring

Located in NEW YORK, NY

About Tony Shafrazi In 1979, Shafrazi opened his first New York gallery, and within a few years he had made his reputation handling talents like Donald Baechler and then-hot graffiti...

Category

1980s Pop Art More Art

Materials

Offset

Kenny Scharf at Tony Shafrazi Gallery 1987 (vintage Kenny Scharf)
Kenny Scharf at Tony Shafrazi Gallery 1987 (vintage Kenny Scharf)

Kenny Scharf at Tony Shafrazi Gallery 1987 (vintage Kenny Scharf)

By Kenny Scharf

Located in NEW YORK, NY

About Tony Shafrazi In 1979, Shafrazi opened his first New York gallery, and within a few years he had made his reputation handling talents like Donald Baechler and then-hot graffiti...

Category

1980s Pop Art Prints and Multiples

Materials

Offset

Kenny Scharf at Gagosian Gallery 1984 (vintage Kenny Scharf)
Kenny Scharf at Gagosian Gallery 1984 (vintage Kenny Scharf)

Kenny Scharf at Gagosian Gallery 1984 (vintage Kenny Scharf)

By Kenny Scharf

Located in NEW YORK, NY

About Tony Shafrazi In 1979, Shafrazi opened his first New York gallery, and within a few years he had made his reputation handling talents like Donald Baechler and then-hot graffiti...

Category

1980s Pop Art Animal Prints

Materials

Offset

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Watercolored By Jim Dine
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Watercolored By Jim Dine

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TECHNICAL INFORMATION: Jim Dine Watercolored By Jim Dine 2015 Watercolor and copperplate etching 42 x 56 1/2 in. Edition of 6; each piece is unique Pencil signed, dated and numbered...

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Keith Haring at Tony Shafrazi Gallery (vintage Haring announcement)

Keith Haring at Tony Shafrazi Gallery (vintage Haring announcement)

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"Keith Haring: Sculpture & Painting" January 17 to February 14 1987 at Tony Shafrazi Gallery, NY: Vintage original 1987 gallery announcement card Dimensions: 6 x 9 inches Excellen...

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Located in Los Angeles, CA

Annie’s Big Book Famed photographer Annie Leibovitz weighs in with her own SUMO Art Edition (No. 1–1,000) Archival pigment print Keith Haring (contact sheet), New York City, 1986...

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Tool Box 2 Screen Print, Hand Signed, Edition 14/150, Pop Art, Framed, 1966
Tool Box 2 Screen Print, Hand Signed, Edition 14/150, Pop Art, Framed, 1966

Tool Box 2 Screen Print, Hand Signed, Edition 14/150, Pop Art, Framed, 1966

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Andy Warhol - Original acetate positive for Ladies & Gentlemen provenance Framed
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Untitled, Jim Dine

Jim DineUntitled, Jim Dine, 1996

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By Jim Dine

Located in New York, NY

A familiar and iconic motif by the artist, this color woodcut was created by Jim Dine in 1996, is hand-signed in pencil and numbered. Measuring 26 1/8 x 19 ½ inches (66.4 x 49.5 cm...

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Jim Dine European museum print on lithographic paper Limited Edition of 300
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Vintage 1960s Andy Warhol Photo Silkscreen Serigraph Pop Art
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By John Brower

Located in Surfside, FL

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Jim Dine Ties Lithograph, Signed Edition 66/150, 1976
Jim Dine Ties Lithograph, Signed Edition 66/150, 1976

Jim Dine Ties Lithograph, Signed Edition 66/150, 1976

By Jim Dine

Located in Roma, IT

Ties is a contemporary artwork realized by Jim Dine in 1976. Mixed colored lithograph.  Edition of 66/150.  The artwork is from the portfolio: Bathrobe, Hands, Ties, Saw, Rainbow,...

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Not Bad For 36, from The Last Sitting
Not Bad For 36, from The Last Sitting

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By Bert Stern

Located in Chatsworth, CA

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Tool Box 5 Screen Print, Hand Signed, 1966, Edition of 150, Framed
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Hand signed on front; numbered on verso by the artist. From the 'A Tool Box' Portfolio. Printed by Christopher Prater; published by Editions Alecto. Artwork is in excellent condition...

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Located in Long Island City, NY

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Kenny Scharf - Bad Girls, Signed 9 color lithograph, Pop Art, PP, museum Framed

Kenny Scharf - Bad Girls, Signed 9 color lithograph, Pop Art, PP, museum Framed

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Kenny Scharf - Bad Girls Printed by 1989 AC&T, Japan (extremely scarce stateside) Lithograph done with 9 colors and 10 plates on Velin Arches Blanc paper Hand signed and numbered...

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Singing and Printing XIII
Singing and Printing XIII

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Located in New York, NY

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Located in NEW YORK, NY

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Located in NEW YORK, NY

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Located in NEW YORK, NY

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Located in London, GB

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A Close Look at Pop-art Art

Perhaps one of the most influential contemporary art movements, Pop art emerged in the 1950s. In stark contrast to traditional artistic practice, its practitioners drew on imagery from popular culture — comic books, advertising, product packaging and other commercial media — to create original Pop art paintings, prints and sculptures that celebrated ordinary life in the most literal way.

ORIGINS OF POP ART

CHARACTERISTICS OF POP ART 

  • Bold imagery
  • Bright, vivid colors
  • Straightforward concepts
  • Engagement with popular culture 
  • Incorporation of everyday objects from advertisements, cartoons, comic books and other popular mass media

POP ARTISTS TO KNOW

ORIGINAL POP ART ON 1STDIBS

The Pop art movement started in the United Kingdom as a reaction, both positive and critical, to the period’s consumerism. Its goal was to put popular culture on the same level as so-called high culture.

Richard Hamilton’s 1956 collage Just what is it that makes today’s homes so different, so appealing? is widely believed to have kickstarted this unconventional new style.

Pop art works are distinguished by their bold imagery, bright colors and seemingly commonplace subject matter. Practitioners sought to challenge the status quo, breaking with the perceived elitism of the previously dominant Abstract Expressionism and making statements about current events. Other key characteristics of Pop art include appropriation of imagery and techniques from popular and commercial culture; use of different media and formats; repetition in imagery and iconography; incorporation of mundane objects from advertisements, cartoons and other popular media; hard edges; and ironic and witty treatment of subject matter.

Although British artists launched the movement, they were soon overshadowed by their American counterparts. Pop art is perhaps most closely identified with American Pop artist Andy Warhol, whose clever appropriation of motifs and images helped to transform the artistic style into a lifestyle. Most of the best-known American artists associated with Pop art started in commercial art (Warhol made whimsical drawings as a hobby during his early years as a commercial illustrator), a background that helped them in merging high and popular culture.

Roy Lichtenstein was another prominent Pop artist that was active in the United States. Much like Warhol, Lichtenstein drew his subjects from print media, particularly comic strips, producing paintings and sculptures characterized by primary colors, bold outlines and halftone dots, elements appropriated from commercial printing. Recontextualizing a lowbrow image by importing it into a fine-art context was a trademark of his style. Neo-Pop artists like Jeff Koons and Takashi Murakami further blurred the line between art and popular culture.

Pop art rose to prominence largely through the work of a handful of men creating works that were unemotional and distanced — in other words, stereotypically masculine. However, there were many important female Pop artists, such as Rosalyn Drexler, whose significant contributions to the movement are recognized today. Best known for her work as a playwright and novelist, Drexler also created paintings and collages embodying Pop art themes and stylistic features.

Read more about the history of Pop art and the style’s famous artists, and browse the collection of original Pop art paintings, prints, photography and other works for sale on 1stDibs.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.