William Marshall

This handsome coffee pot was made by James & William Marshall in Edinburgh, Scotland in 1843.

A whimsical watercolour by the well listed artist William Marshall Craig (c.1750-1828). A gentleman, clad in a silver tailcoat and top hat, hastens across a stream and past crumbling...

William Marshall Brown, RSA (1863-1936) "Bringing in the Catch" Signed Marshall Brown (lower right) Oil on canvas 91.5 x 145cm; 36 x 57in framed: 39.5 x 60 inches provenance: private...

Exhibitions Edinburgh, London, Darmstadt, Zürich, Charles Rennie Mackintosh (1868-1928) Architecture, Design and Painting, 1968, Catalogue number 289, lent by William Marshall, Glasg...

He is among the most important figures of Modern Style (British Art Nouveau style). Provenance William Marshall, GlasgowScottish Private Collection; Pencil inscription to verso of f...

Note - In the style of 20th century British studio potters William Marshall and Shoji Hamada.

PUBLISHER: London: by John Haviland, and are to be sold by William Sheares, 1636. DESCRIPTION: SECOND EDITION. 1 vol., (xii)493pp. 5-3/4" x 3-5/8", translated by William Udall, with...

The designs in the series are credited to the painter William Marshall Craig where the plates carry his name, as this one does.

The designs in the series are credited to the painter William Marshall Craig where the plates carry his name, as this one does.

The designs in the series are credited to the painter William Marshall Craig where the plates carry his name, as this one does.

The designs in the series are credited to the painter William Marshall Craig where the plates carry his name, as this one does.

The designs in the series are credited to the painter William Marshall Craig where the plates carry his name, as this one does.

The designs in the series are credited to the painter William Marshall Craig where the plates carry his name, as this one does.

The designs in the series are credited to the painter William Marshall Craig where the plates carry his name, as this one does.

The designs in the series are credited to the painter William Marshall Craig where the plates carry his name, as this one does.

The designs in the series are credited to the painter William Marshall Craig where the plates carry his name, as this one does.

The designs in the series are credited to the painter William Marshall Craig where the plates carry his name, as this one does.

., 6-7/8" x 4-5/8", [iv]119 [iii], 82, 64, [ii], 52 pp, complete, with the engraved frontis by William Marshall, bound in full near contemporary speckled calf, red speckled edges, ho...

He was greatly influenced by the potters who worked there including William Bull Marshall who was one of the main potters working at the pottery at the time.

Several plates in the series carry the credit of the painter William Marshall Craig; this one is unsigned. The hand coloring and the named London setting make it a good choice for a...

Several plates in the series carry the credit of the painter William Marshall Craig; this one is unsigned. The hand coloring and the named London setting make it a good choice for a...

Several plates in the series carry the credit of the painter William Marshall Craig; this one is unsigned. The hand coloring and the named London setting make it a good choice for a...

William Crovello Hakuin, 1984 Mirrored, reflective brass sculpture on plinth De-accessioned from the GE Corporate Art Collection Signed and dated Crovello '84 Measurements: 13 x 13-3...

Watercolour on paper Paper size: 9.5 x 13 inches Framed size: 15.5 x 19.5 inches Signed lower right

Several plates in the series carry the credit of the painter William Marshall Craig; this one is unsigned. The hand coloring and the named London setting make it a good choice for a...

Several plates in the series carry the credit of the painter William Marshall Craig; this one is unsigned. The hand coloring and the named London setting make it a good choice for a...

Alongside its views of public buildings it carried a series of plates of the street traders of London, each showing a seller with his or her wares against a recognizable London setti...

Alongside its views of public buildings it carried a series of plates of the street traders of London, each showing a seller with his or her wares against a recognizable London setti...

Alongside its views of public buildings it carried a series of plates of the street traders of London, each showing a seller with his or her wares against a recognizable London setti...

Alongside its views of public buildings it carried a series of plates of the street traders of London, each showing a seller with his or her wares against a recognizable London setti...

Alongside its views of public buildings it carried a series of plates of the street traders of London, each showing a seller with his or her wares against a recognizable London setti...

Alongside its views of public buildings it carried a series of plates of the street traders of London, each showing a seller with his or her wares against a recognizable London setti...

Alongside its views of public buildings it carried a series of plates of the street traders of London, each showing a seller with his or her wares against a recognizable London setti...

Alongside its views of public buildings it carried a series of plates of the street traders of London, each showing a seller with his or her wares against a recognizable London setti...

Alongside its views of public buildings it carried a series of plates of the street traders of London, each showing a seller with his or her wares against a recognizable London setti...

Alongside its views of public buildings it carried a series of plates of the street traders of London, each showing a seller with his or her wares against a recognizable London setti...

Alongside its views of public buildings it carried a series of plates of the street traders of London, each showing a seller with his or her wares against a recognizable London setti...

Alongside its views of public buildings it carried a series of plates of the street traders of London, each showing a seller with his or her wares against a recognizable London setti...

Alongside its views of public buildings it carried a series of plates of the street traders of London, each showing a seller with his or her wares against a recognizable London setti...

Alongside its views of public buildings it carried a series of plates of the street traders of London, each showing a seller with his or her wares against a recognizable London setti...

Alongside its views of public buildings it carried a series of plates of the street traders of London, each showing a seller with his or her wares against a recognizable London setti...

Alongside its views of public buildings it carried a series of plates of the street traders of London, each showing a seller with his or her wares against a recognizable London setti...

He confirmed the existence of the Bass Strait, separating Tasmania from mainland Australia. 4. Thomas Gilbert and William Marshall (1789) - The map shows the route of Captains Gilbe...

He was great admirer of William Frith. Marshall was an Associate, then member of the Liverpool Academy and was well represented in the Liverpool and Manchester exhibitions throughout...

He portrayed Emperor William I and Field Marshall Moltke (now in the Kunstsammlungen Chemnitz) among many others.

Although he was largely trained in Europe, he settled in Louisiana, becoming part of the "Bayou School".He regularly painted with William Buck, Marshall Smith and their contemporarie...

The Rose Bowl Story is a 1952 American romance film directed by William Beaudine and starring Marshall Thompson, Vera Miles, and Richard Robert, featuring a young Natalie Wood.

The local academy had been founded by several leading artists, including Andres Molinary, William Henry Buck, Marshall J. Smith, and Paul Poincy.