Jiri Kolar Art

Original collotype lithograph of a figure drawing from Gustav Kilmt’s handzeichnungen (sketch) in 1922 by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is pr...

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "bee." Smith has used one of her animal/insect iconic figures for this glassine paper and wove pap...

assemblage sculpture: vintage wood fort with hand-painted graffiti, a vintage handmade wood carving of Uncle Sam & Trump, confederate flag scrap blindfold, metal chains, 4 vintage fl...

Natural history - François-Xavier Lalanne Etching Numbered out of 70 and signed F.X.L. in pencil Robert and Lydie Dutrou editors 2006. Paper size: 40x33cm Work size: 16x19.5cm

Page Size: 20 x 24 in. (visible) Frame size : 47 x 32 in. Signed, bottom right. Numbered, Bottom left: 144/200. COA available upon request. Created by Pablo Picasso in 1961, this ic...

The organic aesthetic and textures of Peter Kuttner’s original boho minimalist artworks are the result of patient layering and original uses of media. Through a combination of paint ...

Orazio De Gennaro's "Terra Bruciata (Scorched Earth) #57" is an 11 x 13 inch abstract painting on paper mounted on a board. The artist works with natural earth, charcoal, straw, pigm...

One of the stand-out items of our new collection. The 1933 French Grande Style A King Kong film poster by Roland Coudon is an exceptionally rare and highly sought-after vintage collectible. Created for the movie’s first release in France, it is one of only two poster styles produced for the Grande format for that debut. What truly sets this poster apart is its unique design: instead of depicting the more familiar Empire State Building scene, Coudon’s artwork captures the dramatic sacrifice moment on Skull Island, with Kong illuminated by torches as he is introduced to the audience. Produced as a stone lithograph, this poster is widely regarded as one of the finest images created for King Kong, skilfully conveying the intense emotions of fear and awe central to the film. Measuring approximately 46 x 62 1/2 inches, the French Grande format gives the poster a commanding visual presence that draws the eye and demands attention. Due to its extreme rarity, with very few surviving examples known to exist, this poster is an invaluable treasure for serious collectors and film historians alike. More than just a promotional item, the French Grande Style A King Kong poster...

The French Open, also known as Roland-Garros, is a tennis tournament organised by the French Tennis Federation annually at Stade Roland Garros in Paris, France. The French Tennis Fed...

Orazio De Gennaro's "Terra Bruciata (Scorched Earth) is a 10 x 10-inch abstract painting on paper mounted on board. The artist works with natural earth,...

Helmut Newton - "The Kisses of Bordighera". 1982 Original Poster Editions du Désastre. Dimensions: 60 x 80 cm In excellent condition.

After Marc Chagall (1887–1985), “Place de la Concorde” 1952. Not examined out of frame. Under glass. Color lithograph on wove paper. Unsigned. Unknown edition. Condition is very g...

Official Original Roland Garros 2001 poster Condition Good Format Unlinen backed Dimensions 71 x 53 cm Artist Sean Scully Year 2001

Official Original Roland Garros 2018 poster. Fabienne Verdier was commissioned to create the poster for the 2018 tournament. She is the fourth woman – and first ever French artist –...

George Bellows Business-Men's Class, Y.M.C.A, 1916 Signed, numbered "No. 41" and titled lower margin Lithograph on wove paper 11 1/2 x 17 1/8 inches Edition of 64 Provenance: Hirschl & Adler Galleries, New York Private Collection, Ohio Literature: Mason, 20. After his arrival from Columbus, Ohio in 1904, Bellows lived at the West Side YMCA. It was there that he met Eugene Speicher, another aspiring young artist who was to become his lifelong friend. Always interested in the anatomy of the human body, Bellows often satirized the various types who, while leading a sedentary life, feel compelled to devote a portion of their daily routine to physical self-improvement. Throughout his brief but illustrious career, George Wesley Bellows created striking scenes that documented ordinary American life in all its beauty and banality. Considered an American Realist, the artist eschewed embellishment, finding inspiration in the gritty boroughs of New York City, the rocky coastline of Maine, and, later, in his friends and family. Bellows garnered early recognition for his arresting portrayals of illegal prizefighting, dramatic works executed in dark tonal palettes that underscore the brutality of the violent sport. Bellows’ elderly Methodist parents hoped their son might pursue the ministry, a calling the extroverted athlete never received. The Columbus native competed on the baseball team at Ohio State University and also served as an illustrator for the college yearbook. In the fall of 1904—just months shy of his expected graduation—Bellows defied his father’s wishes and boarded a train to New York City in hopes of becoming a magazine illustrator like his idols Howard Chandler Christy and Charles Dana Gibson. Before leaving, he reportedly turned down an offer to play professional baseball with the Cincinnati Reds...