A French 19th-20th Century Gilt-Metal 3-Piece Clock and Candelabra Garniture Set

A very fine and palatial French 19th century Louis XIV style Empire figural ormolu three-piece clock and candelabra garniture suite, comprising of a gilt-bronze clock and a pair of t...

An Assembled Very Fine French 19th Century Louis XV Style Gilt Bronze and White Marble Figural Mantel Clock and Candelabra Garniture Set. The finely chased ormolu clock body, with it...

A Very Fine French 19th/20th Century Louis XV Style Three-Piece Garniture Set of Ormolu-Mounted Mottled Granite-Marble Urn Seven-Light Candelabras. The shaped urns are similar in var...

A Palatial French 19th century Louis XVI style gilt bronze mantel clock by Lemerle-Charpentier bronzier. The large rectangular gilt bronze body surmounted with floral scrolls and acanthus and crowned with an urn with wreath decorations. The circular porcelain enameled clock dial...

A fabulous 19th Century gilt bronze mantle clock garniture set of exceptional quality comprising of a clock with a stunning pair of matching three branch candelabra, all are profusel...

An exceptionally elaborate French three-piece mantel clock garniture dating to the second half of the 19th century, circa 1870, comprising a monumental mantel clock and its original pair of five-light candelabra. Richly conceived in the historicist taste of the Napoleon III period, the ensemble is distinguished by an extraordinary density of sculptural and architectural ornament. The clock is constructed as an elaborate architectural composition, its circular white enamel dial framed by a finely ornamented gilt surround and flanked by tall, fluted classical columns. Particularly striking is the large central decorative panel beneath the dial. It is modelled in high relief with a classical female mask emerging from an elaborate symmetrical arrangement of scrolling acanthus foliage, flowers and arabesques. The ornament continues throughout the case, with floral garlands, foliate scrolls, palmettes, beading, moulded borders and richly worked architectural details creating an exceptionally opulent surface. The upper section is crowned by a substantial classical urn with a domed cover and finial. Its fluted and lobed body is surrounded by sweeping foliate handles terminating in flame-like elements, giving the clock a particularly imposing vertical silhouette. On either side of the clock, scrolling architectural extensions are surmounted by smaller ornamental urns and richly modelled foliage. The lower section incorporates further floral panels, classical motifs and boldly scrolling feet, producing an unusually complex and balanced composition when viewed from the front. The white enamel dial displays blue Roman numerals for the hours and an outer Arabic minute track, complemented by an elaborate pair of pierced gilt hands. Two winding apertures indicate the time-and-strike movement. The movement bears the Japy Frères mark, one of the most important names associated with French clockmaking of the 19th century. The accompanying candelabra were conceived as an integral part of the garniture and repeat the ornamental vocabulary of the clock. Each rises from an architectural base richly decorated with floral reliefs, scrollwork and foliate feet. Above is a large classical urn-form body with fluting and applied ornament, from which emerge five candle branches. The branches form an elegant symmetrical arrangement of tightly coiled volutes and acanthus foliage. The central candleholder is elevated above the four surrounding lights, creating the characteristic tiered silhouette of an important French mantel garniture. The candle cups themselves are finely modelled with fluted classical decoration. The ensemble retains its gilt surface, whose warm tone beautifully emphasizes the remarkable depth and variety of the cast decoration. The clock is accompanied by its shaped wooden display base, finished to complement the architecture of the case. The original pendulum and two keys are also present. With the clock measuring approximately 47 cm (18.5 in.) high on its base and each candelabrum approximately 46 cm (18.1 in.) high, the complete garniture has considerable presence. The substantial weight — approximately 8 kg for the clock alone and approximately 3.5 kg for each candelabrum — further reflects the substantial construction of the ensemble. A highly decorative and imposing example of French 19th-century horological and decorative arts, conceived as a unified mantelpiece composition and particularly impressive for its elaborate sculptural ornament, substantial proportions and survival as a complete three-piece ensemble. Dimensions: Clock without wooden base: 38 cm wide × 43 cm high / 15.0 × 16.9 in. Clock with wooden base: 42 cm wide × 47 cm high / 16.5 × 18.5 in. Each candelabrum: 17 cm wide × 46 cm high / 6.7 × 18.1 in. Approximate weight of clock without base: 8 kg / 17.6 lb Approximate weight of each candelabrum: 3.5 kg / 7.7 lb Condition: The garniture is preserved in very good antique condition, with age-related wear consistent with its 19th-century date. The gilt surfaces remain remarkably well preserved overall, retaining a rich and visually impressive appearance. The enamel dial shows a small area of historic restoration around the Roman numeral IV, where part of the numeral and the adjacent enamel have been carefully restored. Minor surface traces consistent with age are also visible. The original convex front glass is no longer present. The rear glazed door and its glass remain in place. The clock has been wound and tested through one complete winding cycle and operated correctly during testing, including the striking mechanism. As with any antique mechanical clock...

A magnificent 19th-century French clock garniture set in gilt bronze, richly ornamented in the Louis XVI Revival style All working 7 day duration Great patina to the gilt Circa 1880 ...

A magnificent and finely cast palatial and very large French 19th century Japonisme three-piece ormolu garniture clock set in the style of Edouard Lievre. This striking and extremely...