Fackla Floor Lamp by IKEA, Plastic Base, Modern Design, Sweden, 1990s

The Italian design giant Kartell transformed plastic from the stuff of humble household goods into a staple of luxury design in the 1960s. Founded in Milan by Italian chemical engineer Giulio Castelli (1920–2006) and his wife Anna Ferrieri (1918–2006), Kartell began as an industrial design firm, producing useful items like ski racks for automobiles and laboratory equipment designed to replace breakable glass with sturdy plastic. Even as companies like Olivetti and Vespa were making Italian design popular in the 1950s, typewriters and scooters were relatively costly, and Castelli and Ferrieri wanted to provide Italian consumers with affordable, stylish goods.

They launched a housewares division of Kartell in 1953, making lighting fixtures and kitchen tools and accessories from colorful molded plastic. Consumers in the postwar era were initially skeptical of plastic goods, but their affordability and infinite range of styles and hues eventually won devotees. Tupperware parties in the United States made plastic storage containers ubiquitous in postwar homes, and Kartell’s ingenious designs for juicers, dustpans, and dish racks conquered Europe. Kartell designer Gino Colombini was responsible for many of these early products, and his design for the KS 1146 Bucket won the Compasso d’Oro prize in 1955.

Buoyed by its success in the home goods market, Kartell introduced its Habitat division in 1963. Designers Marco Zanuso and Richard Sapper created the K1340 (later called the K 4999) children’s chair that year, and families enjoyed their bright colors and light weight, which made them easy for kids to pick up and move. In 1965, Joe Colombo (1924–78) created one of Kartell’s few pieces of non-plastic furniture, the 4801 chair, which sits low to the ground and comprised of just three curved pieces of plywood. (In 2012, Kartell reissued the chair in plastic.) Colombo followed up on the success of the 4801 with the iconic 4867 Universal Chair in 1967, which, like Verner Panton’s S chair, is made from a single piece of plastic. The colorful, stackable injection-molded chair was an instant classic. That same year, Kartell introduced Colombo’s KD27 table lamp. Ferrierei’s cylindrical 4966 Componibili storage module debuted in 1969.

Kartell achieved international recognition for its innovative work in 1972, when a landmark exhibition curated by Emilio Ambasz called “Italy: The New Domestic Landscape” opened at New York’s Museum of Modern Art. That show introduced American audiences to the work of designers such as Gaetano Pesce; Ettore Sottsass, founder of the Memphis Group; and the firms Archizoom and Superstudio (both firms were among Italy's Radical design groups) — all of whom were using wit, humor and unorthodox materials to create a bracingly original interior aesthetic.

Castelli and Ferrieri sold Kartell to Claudio Luti, their son-in-law, in 1988, and since then, Luti has expanded the company’s roster of designers.

Kartell produced Ron Arad’s Bookworm wall shelf in 1994, and Philippe Starck’s La Marie chair in 1998. More recently, Kartell has collaborated with the Japanese collective Nendo, Spanish architect Patricia Urquiola and glass designer Tokujin Yoshioka, among many others. Kartell classics can be found in museums around the world, including MoMA, the Victoria and Albert Museum and the Cooper Hewitt, Smithsonian Design Museum. In 1999, Claudio Luti established the Museo Kartell to tell the company’s story, through key objects from its innovative and colorful history.

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IKEA is the world's largest furniture retailer, but its origins were far humbler than its global footprint suggests. Founded in 1943 by 17-year-old Ingvar Kamprad in the Swedish village of Älmhult, the company began as a mail-order business selling pens, wallets and picture frames. It wasn't until 1948 that the IKEA catalog started featuring furniture, altering the course of modern domestic design.

IKEA is rooted in democratic design, or the belief that well-made, beautiful objects should be accessible to everyone. This philosophy took shape in the 1950s when IKEA began working with independent designers to develop its own furniture lines. The pivotal innovation came in 1956, when IKEA introduced flat-pack furniture, a practical solution born out of necessity when designer Gillis Lundgren removed a table's legs to fit it into a car. This single insight reshaped how the world thinks about manufacturing, shipping and the relationship between consumer and object.

The 1970s and 1980s are now widely considered the golden age of IKEA design, a period when the company regularly collaborated with outside designers before transitioning to entirely in-house production. These decades produced some of the brand's most collectible pieces, and vintage examples are today actively sought after by collectors worldwide. Karen Mobring's safari-influenced seating — including the Diana, Natura and Amiral chairs — captures the organic, relaxed spirit of the era, while Noboru Nakamura's Bore chair and Lundgren's Pixi lounge chair round out the most coveted 1970s offerings. The 1980s brought a sharper, more industrial sensibility through Niels Gammelgaard's work in wire and tubular steel, among them the Enetri shelf, the wire Jarpen chairs and the foldable Ted chair, as well as Tord Björklund's Skye chaise and Klinte armchair.

Beyond these core collaborators, IKEA has worked with some of the most significant names in 20th-century design. Kai Kristiansen, Ettore Sottsass, Verner Panton and Mats Theselius all produced pieces for the brand, and rare examples of their IKEA work are among the most prized finds for collectors today. More recently, collaborations with designers such as Ilse Crawford, Tom Dixon and Hella Jongerius through its IKEA PS (“post scriptum”) collections have continued to push the brand into more expressive territory.

IKEA has also shaped retail culture itself. Its sprawling, maze-like store format — introduced in Älmhult in 1958 — transformed shopping into an experience, complete with room vignettes, a Swedish café and a one-way path designed to inspire. The brand has since expanded to more than 60 countries, while its annual catalog, once one of the most widely distributed publications in the world, became a cultural artifact in its own right.

IKEA continues to balance its founding tension: mass production in the service of good design. As Kamprad once put it, "to design a desk which may cost $1,000 is easy for a furniture designer, but to design a functional and good desk which shall cost $50 can only be done by the very best."

Find a range of vintage and collectible IKEA chairs, shelving and furniture on 1stDibs.