Charlotte Perriand Rio Coffee Table For Cassina
The historic Rio design low table combines uncommon beauty and utmost functionality in an asymmetrical structure that, over time, has proven itself to be a true interior decor work of art.
The low table by Charlotte Perriand is composed of six segments of different radius, arranged in a circle but offset from one another to create an uneven outer border in solid wood with a hole in the center, envisioned as a spatial center of gravity.
Thanks to Cassina’s outstanding artisan skills, the model from 1962 has been reissued in its original form, alternating the use of oak with inserts in Viennese cane, with versions in stained or natural wood with elements in white or black marble.
TOP
Solid oak frame with transparent matt finish with hand-woven Rattan mesh.
BASE
Solid oak with transparent matt finish.
EDGE
Outer edge in solid steam bent oak.
Currently available in just one size, the Rio low table was originally created by Charlotte Perriand as two. Between 1962, the year she designed the piece and 1967, Charlotte Perriand made a larger version intended for the Japanese embassy in Paris. The unusual beauty of the Rio table, matched by its functionality make it a veritable work of art. The six segments, made in solid wood, each with a different radius, offset from each other, create a jagged outer edge, while the hole in the centre evokes a centre of gravity. Cassina re-issued the original version in 1962, reproducing the original lines, thanks also to the extraordinary crafts skills of the artisans of Meda, a town in the Brianza area north of Milan.
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About the Designer:
Charlotte Perriand full membership of that avant-garde cultural movement which, from the first decades of the twentieth century, brought about a profound change in aesthetic values and gave birth to a truly modern sensitivity towards everyday life. In this context, her specific contribution focuses on interior composition, conceived as creating a new way of living, still today at the heart of contemporary lifestyle.In the sphere of twentieth century furnishing history, the advent of modernity made possible the entrepreneurial audacity of this true reformer of interior design. At the beginning of her professional career she was acclaimed by critics for her Bar under the roof, exhibited at the Salon d’Automne in 1927 and constructed entirely in nickel-plated copper and anodized aluminium. In the same year, when she was just twenty-four years old, she began a decade-long collaboration with Le Corbusier and Pierre Jeanneret, at the famous design studios at 35, rue de Sèvres in Paris.Her presence in the Le Corbusier studio is visible in all the furnishings designed with him and with Pierre Jeanneret: and so Charlotte Perriand becomes a cornerstone in the reformation project promoted by the architect, adding a distinct dimension of humaneness to the often cold rationalism of Le Corbusier. In her creations she manages to animate the fundamental substance of daily life with new aesthetic values: in particular her talent and intuition in the discovery and use of new materials manifest themselves to their full extent.The ten-year long collaboration with Le Corbusier and Pierre Jeanneret, and her Japanese experience, represent periods of intense creative effervescence in the life of the artist. During her long stay in the Far East (‘40-‘46), she reveals her artistic talent to the full, through a reinterpretation of the reality of life to echo both tradition and modernity. By way of example, worthy of mention are the furnishings produced using traditional bamboo processing techniques, capable of enhancing the new forms already experimented using steel-tubing.After her work as a professional, she concentrates on a series of original and balanced productions, commissioned by top-level authorities and leading companies of the calibre of Air France, and by a number of foreign organizations, authenticating the fame she had by now gained on the international scene.The distinguishing factor of Charlotte Perriand’s personality is a sincere loyalty to the principles of humane and innovative rationalism, preserved intact in her projects, on which she worked with such passion, also in readiness for their revival in the “Cassina I Maestri” collection.
About Manufacture:
Established in 1927 by Cesare and Umberto Cassina in Meda, Italy, Cassina launched industrial design in Italy in the 1950s, based on a totally innovative approach that marked the transition from artisan production to mass production. With a mindset focused on research and innovation, Cassina combines technology and long-standing artisan craftsmanship.
Memory, research, innovation. Cassina blends traditional skills and superior productivity, meticulous attention to detail and passion, uniqueness and experimentation, wellbeing and sustainability. Today, the company continues to address new lifestyles with the creation of complete, harmonious interior decor solutions that embody the best contemporary design for all areas of the home.