Peter Buchman "Just Another Thing Hanging over Your Head", 2017

Justin Pollmann "Hang It Up" 2022 Inkjet Transfer Collage, Monotype 28"x22" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the paper’s surfa...

About the technique : the artist starts digitally to sketch out all the contours and landmarks, then he projects or prints the drawing onto canvas. from there, he blocks the main col...

Robert Mars Chronicling a fascination with 1950s and 1960s iconography, Robert Mars has produced a body of artwork from his studio in Connecticut that celebrates the commonplace objects and icons of an America long past in a thoroughly modern, and exquisitely constructed, manner. His eye for a distinct facet of American history is impeccable, and his ability to manipulate both the color and wordplay of vintage printed material...

Danny Balgley (b. New York, NY) lives and works in Queens, NY. He holds an MFA from Columbia University, a BFA from Cooper Union and attended the Yale School of Art Norfolk program o...

Untitled (2021) Acrylic and paste on raw un-stretched canvas 230 x 150cm Education MA Fine Art, Chelsea College of Art, London (2015/16) Solo Exhibitions Scratchcard Paintings, Oliver Spencer - London, July 2019 No Blank Space, Silverthorne Lofts - London, December 2016 Collections to Inform Artwork, Chelsea College of Art Library - London, July 2016 Be The first of Your Friends To Like This, Punctum Gallery, Chelsea College of Art - London, April 2016 Group Exhibitions (Selected) Transatlantico, Mana Contemporary - New York, October 2020 Pazzo Palazzo, Palazzo Monto - Brescia, Italy, May 2019 Recreational Grounds - London, May 2019 Delphian Gallery Print Show, The Printspace - London, March 2019 The Spring Auction, The Auction Collective - London, March 2019 [s] Rhythms in Art Lacuna, Art Lacuna - London, January 2019 Abstract:Reality, Saatchi Gallery - London, December 2018 Not Available in Good Book Shop, Sluice Art Fair - London, September 2017 Raise All Spirits 2p, Finsbury Park...

This kinetic sculpture by Jacques Jarrige is composed of three intricately cut plywood elements, each suspended in delicate equilibrium from a single point. Part of Jarrige’s ongoing...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

A woman climbing over a wall, almost there. Edition of 10 American, b. 1958 Jim Rennert was born in 1958, and grew up in Las Vegas, Nevada, and Salt Lake City, Utah. After ten tryi...

Sculptural metal mobile signed and dated '92. Made up of 5 semi-circular metal pieces. Black, blue, red, yellow and white. Each level slowly rotates while hanging. Great piece of art.

In this compelling late-20th century composition, Robert Patrick transcends the boundary between painting and textile, forging a luminous hybrid of color, texture, and sculptural depth. Executed in 1991, this work showcases acrylic layered onto vinyl textile fiber, the result: a surface that appears to breathe and shift, responding to light and perspective. What sets this piece apart is the dialogue between material and gesture. The vinyl fiber substrate introduces softness and dimensional relief; the acrylic pigment overlays, in hues that dance between subtle tonalities and bold contrasts, animate the underlying weave with fluid strokes. This interplay gives the impression that the surface is alive — that threads may pulse or shift under one’s gaze. Viewed from different angles, patterns of light and shadow travel across ridges and valleys of fiber. Areas of tension and release appear: in some parts, the acrylic is taut and flat; in others, it recedes, opening micro-shadows that deepen the sense of spatial layering. The edges, slightly irregular, emphasize the work’s handcrafted integrity rather than mechanical perfection. This is more than a decorative object; it is a distilled statement piece embodying the tension and poetry of late 20th-century material experiments. As a singular work from Patrick’s evolving practice, it commands attention as both art and artifact — one that enriches the collection it joins and invites sustained contemplation. Signed by Robert Patrick painted acrylic over vinyl textile fiber art...