French Enamel Frames and Objects

Mauboussin Musical Automaton Mother Of Pearl Diamond and Multi Gem Gold Clock A clock featuring a musical automaton harlequin playing the mandolin on a box. The clock is set with mo...

A girl, head and shoulders, her dark hair in ringlets, on grey back, gilt-metal mounted Oval, 70mm high Within ebonized square frame.

Discover this wonderful egg-shaped clock, crafted in Limoges porcelain and finely hand-painted, signed by the artist. The delicate painting depicts spring flowers, adding a touch of ...

This outstanding Art Nouveau buckle in the shape of a peacock feather has been designed and executed by Piel Frères, Paris around 1900. An identical buckle is published in Vivienne Becker's book 'Fabulous Fakes', page 91, Grafton Books 1988. The same buckle, executed in silver, is published in 'Pariser Schmuck', catalogue of the exhibition of the same name page 275. That catalogue describes the buckle as ' a peacockfeather with short quill, the eye of the feather is represented by a kidney shaped blue glas cabochon on green green shimmering metal foil'. Piel Frères were an important firm of jewellers based in Paris, they are mentioned in the 3 volume enzyclopedic publication 'La Bijouterie Française ' written by Henry Vever.

The pendant holding a late 18th century portrait miniature of a gentleman, mounted in gold, length 5.3cm.

Neo-gothic revival wedding comb in silver. Hairpin for a chignon, in the style of Louis Wiese, composed of an openwork silver motif decorated with neo-Gothic leaves. The upper silver...

A luxurious Cartier lighter crafted in 18K yellow gold, adorned with bold enamel striping in black and turquoise, forming a modernist motif. The top is elegantly finished with a pavé...

France, circa 1550 This one of a kind, museum rarity, Renaissance gilt bronze ring features a Limoges enameled copper plaque superbly pai...

Discover this wonderful egg-shaped clock, crafted in Limoges porcelain and finely hand-painted, signed by the artist. The delicate painting depicts a bouquet of spring flowers, addin...

Cartier Gold and Enamel Box A black enamel box containing a mirror and two compartments. Signed: Cartier Approximate Measurements: 3" x 0.75" x 0.38" Approximately weighs 46 grams ...

An 18 karat (18K) yellow gold and silver belt buckle designed as a snake entwined upon itself with cabochon garnet eyes. Stamped with the eagle’s ...

A very fine signed antique French silver and enamel bowl. Made by Benjamin Wolles (Benjamion Wollès). In a Second Empire or Belle Epoque/Rococo Revival style. With rocaille device...

Objet d'art watch in the shape of an egg. It has romantic scenes in enamel on cooper with a gilt brass fusee movement and round baluster pillars. This piece ...

A fine and rare French sterling silver and enamel cabinet vase. The enameled central body depicts a bucolic French country landscape with a watermill and river. The ruffled silver...

Edwardian parasol handle made in France. Very beautiful and elegant piece, created in Paris France during the Edwardian and Belle Epoque periods, back in the 1900. This fabulous parasol handle has been designed with French neo-classic patterns in the style of Louis XVI. Crafted by assembling pieces made up in 18 karats yellow gold, carved citrine and amber color faux tortoise. The baton is fitted with a screw to attach to any parasol or cane. The round gold parts on top are made with multiple leaf motifs, bows, tassels and floral clusters, typical from the Belle Epoque period. Gemstones: The top part is mounted, with 1 cylinder cabochon cut of natural translucent citrine quartz of about 120 carats. Birthstone: Citrine, for the month of November. Weight: 66.95 Grams, (42.91 Dwt). Measurements: 248 mm by 20 mm (9.75 x 0.79 Inches). Hallmarks: Both gold parts are stamped with French marks; the head of the eagle for the assay and warranty of the 18kt gold and the maker's maitre mark inside a lozange cartouche. Edwardian era, like the Georgian and Victorian eras before it, derives its name from the reign of the English King, Edward VII (1901-1910). Edwardian jewelry is known for representing femininity while incorporating a lot of the color white. Think diamonds, pearls and white metals like platinum and white gold. Diamonds often had an Old Mine or European cut and sapphires were a popular choice for a pop of color. They tended to be made from platinum and diamonds – the more, the merrier – and used fashionable, intricate techniques such as filigree and millegrain. Edwardian rings are works of art and best worn alone or alongside a simple wedding band...

Discover this marvelous egg-shaped clock, crafted in Limoges porcelain and finely hand-painted, signed by the artist. The delicate painting depicts a fleur-de-lis, adding a touch of ...

Antique vase Émile Gallé, circa 1905, Nancy, France vase height - 2.87 in / 73 mm vase width - 2.48 in / 63 mm vase weight - 178 grams