20th Century Sculptures

Pablo Picasso Bird with a Crest, 1952 Original ceramic of Pablo Picasso, white faience earth, enamel and oxidized paraffin decoration Annotated on the Back : Empreinte originale Pic...

One of a kind Goddess sculpture by Noche Crist (1909-2004). Noche Crist was an American artist born in Romania. Sculpture is made from polyester res...

"Record Player" by Jerome Ferretti, Detroit muralist, painter and sculptor, is a genuine Symphonic Record Player with built-in speakers that Je...

Amazing male bronze bust with a black patina. This work is the 6th from an edition of eight. Its creator, Igor Mitoraj, is a polish sculptor deeply rooted in the classical tradition....

Artist: Dale Chihuly Title: Four Four-Piece Hand-Blown Glass Blue Persian Set With Cadmium Red Lip Wrap Medium: Hand Blown Glass Largest element measures: 10"h x 18.5"w x 11.5"d 2nd ...

Dimensions listed are for each individual hand and the price is for the pair. Artist Biography: Artist and designer Pedro Friedeberg is known for his surrealist paintings, prints, a...

Magda Watts (Israeli, b. 1928) Handmade Folk Art Sculpture Old Folks with a newspaper Hand signed to underside, Dimensions: 12"h x 14.5" l x 7.5"d. Magda Watts, Holocaust survivor, dollmaker She grew up in the Hungarian town of Nyiregyhaza, which the war reached in 1944. Jews were herded into a ghetto, where they remained for several weeks. Magda began making dolls while being held in the concentration camp at Auschwitz, Poland in 1944. Her creativity and imagination helped her to survive the horrors of the holocaust and led to an inspirational career in art and visual storytelling. A resident of Eilat, Israel, she is an internationally known artist. Her intricate soft fabric and textile dolls and panoramas bring the people of the shtetl back to life. She has recreated part of the Jewish community of her native Hungary in order that it might never be forgotten. A documentary was made on her life, “Liberation of the Spirit: The Journey of Magda Watts”. The film opens with a close-up of Watts' hands. She is shaping a doll head, pressing creases with a wooden tool into pliable sculpting resin that later will be hardened by baking. With a few nicks and strokes, human features begin to emerge from the shapeless lump. "I don't know why I am making old people," she says. "It is coming out from me. I can't order my hand what to do." She calls her dolls "small human beings. When you see them in half-dark, you see them dancing, speaking, like they are in life." She makes the dolls in batches of body parts, and also makes most of the props that go with them: miniature furniture, musical instruments, tiny leather shoes with wax soles, even treadle sewing machines. Watts survived the Auschwitz death factory, then the labor camp at Nuremberg. It was there that she created the ancestors of the folk-art masterpieces she now crafts, such artful and appealing rag dolls that Nazi guards would swap extra bread for them. That, she says, "was life" for her and her sister Shari, enough to keep them alive. The doll scene is typical of her work: lifelike yet cartoonish figures set in evocative tableaux. She makes them in her workshop in Israel. Starting at $1,500, Watts' soft dolls are sold only in Israel, but collected worldwide. She once made a panorama of the Jewish people's 5,000-year history for an Israel museum, and a violinist doll for concert great Isaac Stern. The dolls are tailors, jewelers, klezmer musicians, seamstresses, musicians, students, rabbis, a cast of characters from the shtetl of a bygone Europe and from small corners of the modern Jewish world. Like Frank Meisler but in fabric and cloth. They laugh and brood, gossip and smoke, fiddle and play cards. Infused, as if by some spiritual alchemy, with the full range of human emotion, they furrow their aging brows in worry and concentration. Soulful eyes gaze both outward and inward. Here and there, figures from her life emerge. "When I make the seamstress, I am thinking of my aunt. She had a little bit of a hunchback. She had a Singer machine and many drawers, with every one something beautiful inside." A careful observer can spot visual jokes in her work. "I'm making the Bible, and (a museum panorama character) is sitting on the camel with a cigarette in his hand. Nobody sees it, but I know it. I made it for myself. I have to make something that makes me laugh." From oven-baked clay and Styrofoam, she’s re-creating her past: rabbis, gossipy ladies, peddlers, jewelers, tailors, old couples and fish vendors from her small village in central Hungary. Nearly all perished during the Holocaust. Most were sent to the gas chambers in 1944 when Nazis overran her country, including some in Watts’ family. Her lifelike creations have been displayed – and sold – around the world. Her creations emerge from the back of her memory. She remembers a gentler Hungary, where Jewish communities thrived before the Nazis came. On one doll’s baked clay face, she paints the knotted frown of a rabbi concentrating on a Torah passage. Another doll grows into a man hawking fish. Women play cards. A stern schoolmaster presides over a class. “They love to love,” she says. She has exhibited with Malcah Zeldis. Her naive, whimsical images contain a number of storytelling devices and attempt to convey a narrative. She is also fond of Mea Shearim...

Gerald Laing Cat, 1983 Cast bronze (hollow core cast) Bears artists full incised signature, artist's copyright logo, as well as stamped signature on the front, Edition 1/9 13 1/2 × 8...

Mid century Italian Leopard in life-like repose, crafted in terracotta, hand decorated and glazed. Stamped "Made in Italy" on the underside.

Large Arch is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 40 × 25 × 15 cm (15.7 × 9.8 × 5.9 in). The sculpture is signed and numbered, it is part of a limi...

Dancing male figure, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981). Terracotta modeled by hand by the artist. Unique piece. Dimensions: Height 45 cm. The choice of ter...

An impressive stone sculpture of Buddha In the style of the Tang and Wei Dynasties hand carved. The figure of Bhudda, in mudra Abhayamudrā carved in standing position as a teacher wi...

Unknown Artist, Possibly Arbit Blatas - Standing Nude Man, Medium: Bronze Sculpture, Size: 14.25 x 3.5 x 3.5 in. (36.2 x 8.89 x 8.89 cm)

Edris Eckhardt (American, 1905-1998) Bust, 1933 Ceramic Signed and dated base 8.5 x 4.5 x 4.5 inches, including base Minor losses to paint on base. Born in Cleveland, Ohio January ...

Klaus Ihlenfeld (b.1934) Untitled (Flower Form), sculpted phosphor bronze-coated copper sounding sculpture, early 1970s. Exhibited: Klaus Ihlenfeld - Recent Sculpture at Albright College - Campus Center Gallery from Feb. 18 - March 18, 1973.. Welded bronze. 15 h x 12.5 inches w. Signed with initial on base. Provenance: Albright College Museum collection. Excellent condition. Klaus Karl Otto Ihlenfeld. He was born in Berlin, Germany in 1934. He studied art at the Hochschule für Bildende Künste and completed graduate work with the metal sculptor Hans Uhlmann. He visited the US in 1957 for the first time living in Durham, NC, where he befriended Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Through this friendship in 1960 he met and worked with the metal sculptor Harry Bertoia in Barto, PA. He joined the Staempfli Gallery in NYC and entered in many group and one-man shows. He has been an Artist-in-Residence in Ogden, Utah; Huntington Museum of Art in West Virginia, Penn State University at University Park; the Colorado State University in Denver; and Shippensburg University. He has large commissions at Kutztown University, Pottstown Hospital, and a monumental relief sculpture at the Emigrant Savings Bank in NYC. He has traveled extensively in Spain, Greece, and Mexico. He is living and working on a farm in Barto, PA welding bronze and forged iron metal sculptures and painting watercolors. Group Shows: North Carolina Museum of Art in Raleigh, NC - 1957 Solomon R. Guggenheim Museum in New York City - 1962 Staempfli Gallery in New York City - 1962, 1964 and 1965 Gallery Ludwig Lange in West Berlin, Germany - 1977 Gallery Herbert Remmert and Dr. Barth in Dusseldorf in West Germany - 1981 Jack Savitt Gallery in Macungie, PA - 1981 and 1984 Heinz Ortleb Gallery, West Berlin, Germany - 1992 Central Bucks Chamber of Commerce Show at the James A. Michener Art Museum in Doylestown, PA - 1997 Berks Art Alliance Show at the Reading Art Museum in Reading, PA - 1997 Mayfair Festival of the Arts at the Allentown Art Museum - 1998 Baum School of Art in Allentown, PA - 1997 Schwenkfelder Library and Heritage Center Art Show in Pennsburg, PA - 2001 Reading Public Museum in Reading PA, 2014 Solo Shows: Kutztown University in Kutztown, PA - 1960 and 1965 Allentown Art Museum in Allentown, PA - 1960 and 1961 Staempfli Gallery in New York City - 1962 Penn State University in University Park, PA - 1964 and 1972 Berks Art Alliance in Wyomissing, PA - 1966 Bertha Eccles Art Center in Ogden, Utah - 1967 Mansfield University in Mansfield, PA - 1967 Huntington Museum of Art in Huntington, WV - 1971 Shippensburg University in Shippensburg, PA - 1972 Albright College in Reading, PA - 1973 Ianuzzi Gallery in Scottsdale, AZ - 1974 Gallery Heimat 85 in West Berlin, Germany - 1977 Jack Savitt Gallery in Macungie, PA - 1981 College Misericordia in Dallas, PA - 1983 Schwenkfelder Library and Heritage Center in Pennsburg, PA, 2013 Periodical Reference: Kaye, Ellen "The Obsessive Collector," Philadelphia Inquirer Sunday Magazine Sptember 21, 1986 pp. 32-33. Chronology: 1-30-1934 Born in Berlin, Germany. Father, Kurt Ihlenfeld, Lutheran pastor, novelist, critic and publisher was born in 1901 in Colmar, Alsace Lorain. Mother, Annie Stuhlmann, was born in 1905 in Breslau, Lower Silesia. 1940 - 1950 Public schools in Berlin; Löwen, Lower Silesia; Coswig, Radebeul, Glaubitz, Saxony. Königin Luise-Gymnasium in Dahlem, Berlin. First artworks, drawings and paintings; few sculptures. 1950 - 1956 Studied at the Hochschule für Bildende Künste in West Berlin, Germany. Graduate work with metal sculptor Hans Uhlmann. For 2 years maintained own studio at the Academy. Friendship with writer Günter Grass, and painter F. S. Sonnenstern. Met painters: Max Pechstein, Karl Schmidt-Rottluff, Carl Hofer, Max Kaus, and sculptors: Bernhard Heiliger, Renee Sintenis, and Richard Scheibe. Opened own gallery in the Kurfürstendam area of Berlin. 1954 Traveled to West Germany, France, Barcelona, Spain (Balearic Islands), and Menorca for 3 months. 1957 First visit to the United States in Durham, NC. Participated in a group show at the Museum of Art, Raleigh, NC. Friendship with Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Work with metal sculptor Harry Bertoia in Bally, PA. Started own metal sculptures in Bertoia Studio. Traveled to Mexico and throughout the US. Visited Monte Alban, and Mitla-Oaxaca. Started collecting works of pre-Columbian art. Also African and South Pacific works of art and the works of children. 1958 Returned to West Berlin, Germany to open own workshop and gallery. Cooperation with his brother Bertram Ihlenfeld and brother-in-law, violinist Heinz Ortleb. Precise metal sculptures in various medias. 1959: Motion picture of the development of sculptures: Spiel in Stahl (Play in Steel), filmed by Dr. Hans Cürlis shown at the Bergamo Film Festival in Italy, in West Germany, and German Embassies in South America. 1960 Second visit to the United States. Cooperation with sculptor Harry Bertoia in Bally, PA. Friendship with Brigitta Valentiner Bertoia. Worked on large commissions. Met painter Willem DeKoonig, gallerist Georg W. Staempfli in New York City, and furniture maker George Nakashima in New Hope, PA. First one-man show of sculptures at Kutztown State College, Kutztown, PA. One-man show of sculptures at the Allentown Museum of Art under Director Hirsch. 1961 Traveled and studied archeological sites in Mexico (Monte Alban, Mitla-Oaxaca; Colima, Nayarit, Sinaloa, Patzcuaro, etc.). Collected pre-Columbian art in Mexico and New York City. Second one-man show at the Allentown Museum of Art (sculptures) under Director Caldwell. 1962 One-man show at Staempfli Gallery in New York City. Participated in various group shows at the gallery: "Twenty Sculptors" and "Recent Acquisitions". Met artists Marcel Duchamp and Salvador Dali; sculptors Alexander Calder and Alexander Lieberman. Participated in a major exhibition at the Solomon R. Guggenheim Museum in New York City entitled "Modern Sculpture from the Joseph H. Hirshhorn Collection". 1963 Married Patricia A. Lambert of Springfield, PA. Harry Bertoia was their best man. 1964 One-man show at the Pennsylvania State University, University Park, PA and a group show "Stone, Wood and Metal" at Staemplfi Gallery in New York City. First child, Paul Vincent born. 1965 Entered group show at Staempfli Gallery "Stone and Crystal". One-man show of graphics at Kutztown State Teachers College in Kutztown, PA. One-man show at Wyomissing Art Alliance, Reading, PA. 1966 Commissioned for a fountain sculpture at Kutztown State Teachers College, Kutztown, PA. Birth of twins, Phillip Sydney and Naomi Andrea. 1967 Artist-in-Residence at the Bertha Eccles Art Center, Ogden, Utah (received a grant from the National Endowment of the Arts). Met sculptor Larry Elsner. One-man show at Mansfield State College, Mansfield, PA. Fourth child born, Douglas Robinson. 1968 - 1969 Commissioned to create a large relief sculpture for the Emigrant Savings Bank at 5 East 42nd Street in Manhattan, New York City entitled: Heavenly Bodies, 250 ft. X 32 ft. (weighing 8 tons). Moved to the estate "Iron Masters Mansion", Barto, PA. 1970 - 1971 Artist-in-Residence at the Huntington Museum of Art, Huntington, WV (received a grant from the National Endowment of the Arts). One-man show at the Huntington Museum of Art. A movie was made of the exhibition by the Huntington Television Station. Met A. Moretti, sculptor of glass figures. One-man show at the old Sears and Roebuck mansion in Haverford, PA. 1971 - 1972 Artist-in-Residence at the Pennsylvania State University, University Park, PA (received a grant from the National Endowment of the Arts). Classes for drawing and experimental sculpture. One-man show at the Chambers Building and the Hetzel Union Building. Also Artist-in-Residence at Shippensburg State College, Shippensburg, PA. Commissioned to execute a sculpture for the new Library at the Shippensburg State College. Death of father, Kurt Ihlenfeld. 1973 Invitation to lecture and work with sculpture classes at Colorado State University, Denver, Colorado. One-man show at Albright College, Reading, PA. 1974 - 1976 Years of increased studies and work. Acquisition of a farm in Barto, PA. Built a new workshop. Works and lives with his wife and four children at the Barto, PA farm. New sculptures in iron, bronze, brass and wood. Traveled to Belgium, West Germany and Switzerland. One-man show at Gallery Heimat 85, West Berlin, Germany. One-man show at the Ianuzzi Gallery, Scottsdale, Arizona. Friendship with sculptor Tom Althouse and paintress Jane Mitchell. 1977 - 1981 Traveled to West Berlin. Works exhibited at Gallery Heimat 85, West Berlin. Also exhibited at Gallery Ludwig Lange. New workshop opened at parent's house in West Berlin. Many sculptures in steel, iron and bronze, some are represented at the Gallery Herbert Remmert and Dr. Barth, Düsseldorf, West Germany. Visited the Island of Korfu in Greece. New graphics. First visit to Italy. A fire at the farm destroyed two buildings, also 38 sculptures (created from 1950 to 1979), reliefs, graphics, correspondences, and various art collections. 1981 - 1984 One-man show and group shows at the Jack Savitt Gallery, Macungie, PA. One-man show at Misericordia College, Dallas, PA. 1984 - 1985 Change of direction. Painting in watercolor dominates sculptural work. Also greater interest in collecting other artists' work. One-man show at the James A. Caplan estate in Villanova, PA. 1989 Represented in the June 1989 Colonial Homes magazine. The article and photographs described the artist's life and his collections. 1992 Traveled to Europe, mainly living and working in Germany and Belgium. One-man show in Liegé, Belgium. Sculptures, drawings and paintings shown at the Heinz Ortleb Gallery, Berlin. Death of mother, Annie Ihlenfeld, in Berlin. 1994 - 1996 Restored a large barn at the farm with his son Phillip for extensive art collections and completed sculptures. Created sculpture garden at farm. 1996 Created many new bronze and brass sculptures during the winter months. Participated in the Central Bucks Chamber of Commerce Sculpture Show. Study tour to Bermuda with his wife. The semi-tropical plants and landscapes inspired new works. 1997: Traveled, study-tour, to St. Lucia, near Martinique, in the West Indies with his wife. This tropical environment was most inspiring. Participated in the Central Bucks Chamber of Commerce Sculpture Show at the James A. Michener Art Museum in Doylestown from June 13 to September 7, 1997. 1998 Entered the Berks County Art Alliance juried art show in the fall at the Reading Art Museum, Reading, PA. 1999 Travels and studies with family members of ruins near Oaxaca City, Oaxaca, Mexico (Monte Alban, Mitla, Dainzu, Teotitlan del Valle, Lambityeco, San Jose El Mogote, Yagul), the Rufino Tamayo Museum of Pre-Columbian Art, and the Regional Museum of Anthropology in Oaxaca City, in May. This is one of the most productive years in metal sculpting - forged iron and steel (many large scale works) all welded, new watercolors and art acquisitions. 2000 Sculptures entered in the Baum School Art Auction, Allentown, PA. 2001 Entered a group show of sculpture and paintings at the Schwenkfelder Library and Heritage Center, Pennsburg, PA. Continues to create new sculptures in iron, bronze, brass and wood. Also has continued to produce a wide variety of watercolor & other graphics large and small. 2002 Study tour to the Key West, Cozumel, Tulum, Belize and Nassau. Continues to produce many sculptures in bronze and iron. 2003 - 2004 Visited Niagara Falls, the Finger Lakes, Thousand Islands, Rockport, Maine and Concord, Massachusetts. Many inspirations for water colors and sculptures. 2005 - Exploring Maryland during the summer. First grandchild born in July, which was an extraordinary event. Painting many watercolors and continuing to work in forged iron. 2006 Sculptures entered in the PA Sinfonia Orchestra Art Auction, Allentown, PA. Continues to produce a wide variety of watercolors and bronze sculptures. Acquired over 200 African artifacts. Sculptures sold at David Rago Auctions...

Vintage Chinese Tang Style Gilt Cast Iron Horse Sculptures Caparisoned Statues 2. In good condition measures 21x19 each

Shlomi Haziza Lucite Acrylic Sculpture Cityscape Skyscraper Modern Art Signed. In good condition measures 27x7

Important, original, Pablo Picasso (1882-1973) ceramic plaque "Profil de Jacqueline", Madoura pottery 1956. The artwork was executed in 1956; this work is from the edition of 500, co...

Giorgio de Chirico, Italian (1888 - 1978) - Cavallo e Cavaliere con berretto frigio, Year: 1950, Medium: Terracotta Sculpture, signature inscribed on base, Size: 15 x 14.5 x 5 in....

Felipe Castañeda Mujer Agachada (Crouching Woman), 1972 Bronze, wood base 12 x 9.5 x 11.5 inches Edition III/VI Most recent owners acquired this limited-edition bronze sculpture fro...

This artwork is a multiples limited not numbered specimens created by the Italian artist Ugo La Pietra, a well known Internationally artist. Ugo La Pietra was born in Bussi Sul Tiri...

Alan Cottrill (American, Ohio, b. 1952) Nude Female Torso, 1994 Bronze mounted to green marble base Signed, dated and numbered 14/20 verso of leg, with foundry stamp 17. in. h. x 6 i...

Tete de Femme after Modigliani, produced by Austin Productions in 1961. Austin Productions started in Brooklyn in 1952 and began manufacturing reprodu...

Austrian cold painted bronze sculpture of an English Bulldog and a French Bulldog. Circa 1900

Artist: Salvador Dali (1904-1989) Title: Piano surréaliste Year: 1984 Medium: Bronze Edition: 350, plus proofs Size: 26.3 x 15.7 x 12 inches Condition: Excellent Inscription: Incised...

Klaus Ihlenfeld (b.1934). Untitled, ca. 1960. Welded bronze. 8" h.; 5.5 " w; 3.25" d (base). Signed with initial under base. Provenance: Directly from estate of Harry Bertoia. The piece was a gift from Ihlenfeld and is a very early example created during Bertoia apprenticeship era. Excellent condition. Klaus Karl Otto IhlenfeldHe was born in Berlin, Germany in 1934. He studied art at the Hochschule für Bildende Künste and completed graduate work with the metal sculptor Hans Uhlmann. He visited the US in 1957 for the first time living in Durham, NC, where he befriended Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Through this friendship in 1960 he met and worked with the metal sculptor Harry Bertoia in Barto, PA. He joined the Staempfli Gallery in NYC and entered in many group and one-man shows. He has been an Artist-in-Residence in Ogden, Utah; Huntington Museum of Art in West Virginia, Penn State University at University Park; the Colorado State University in Denver; and Shippensburg University. He has large commissions at Kutztown University, Pottstown Hospital, and a monumental relief sculpture at the Emigrant Savings Bank in NYC. He has traveled extensively in Spain, Greece, and Mexico. He is living and working on a farm in Barto, PA welding bronze and forged iron metal sculptures and painting watercolors. Group Shows: North Carolina Museum of Art in Raleigh, NC - 1957 Solomon R. Guggenheim Museum in New York City - 1962 Staempfli Gallery in New York City - 1962, 1964 and 1965 Gallery Ludwig Lange in West Berlin, Germany - 1977 Gallery Herbert Remmert and Dr. Barth in Dusseldorf in West Germany - 1981 Jack Savitt Gallery in Macungie, PA - 1981 and 1984 Heinz Ortleb Gallery, West Berlin, Germany - 1992 Central Bucks Chamber of Commerce Show at the James A. Michener Art Museum in Doylestown, PA - 1997 Berks Art Alliance Show at the Reading Art Museum in Reading, PA - 1997 Mayfair Festival of the Arts at the Allentown Art Museum - 1998 Baum School of Art in Allentown, PA - 1997 Schwenkfelder Library and Heritage Center Art Show in Pennsburg, PA - 2001 Reading Public Museum in Reading PA, 2014 Solo Shows: Kutztown University in Kutztown, PA - 1960 and 1965 Allentown Art Museum in Allentown, PA - 1960 and 1961 Staempfli Gallery in New York City - 1962 Penn State University in University Park, PA - 1964 and 1972 Berks Art Alliance in Wyomissing, PA - 1966 Bertha Eccles Art Center in Ogden, Utah - 1967 Mansfield University in Mansfield, PA - 1967 Huntington Museum of Art in Huntington, WV - 1971 Shippensburg University in Shippensburg, PA - 1972 Albright College in Reading, PA - 1973 Ianuzzi Gallery in Scottsdale, AZ - 1974 Gallery Heimat 85 in West Berlin, Germany - 1977 Jack Savitt Gallery in Macungie, PA - 1981 College Misericordia in Dallas, PA - 1983 Schwenkfelder Library and Heritage Center in Pennsburg, PA, 2013 Periodical Reference: Kaye, Ellen "The Obsessive Collector," Philadelphia Inquirer Sunday Magazine Sptember 21, 1986 pp. 32-33. Chronology: 1-30-1934 Born in Berlin, Germany. Father, Kurt Ihlenfeld, Lutheran pastor, novelist, critic and publisher was born in 1901 in Colmar, Alsace Lorain. Mother, Annie Stuhlmann, was born in 1905 in Breslau, Lower Silesia. 1940 - 1950 Public schools in Berlin; Löwen, Lower Silesia; Coswig, Radebeul, Glaubitz, Saxony. Königin Luise-Gymnasium in Dahlem, Berlin. First artworks, drawings and paintings; few sculptures. 1950 - 1956 Studied at the Hochschule für Bildende Künste in West Berlin, Germany. Graduate work with metal sculptor Hans Uhlmann. For 2 years maintained own studio at the Academy. Friendship with writer Günter Grass, and painter F. S. Sonnenstern. Met painters: Max Pechstein, Karl Schmidt-Rottluff, Carl Hofer, Max Kaus, and sculptors: Bernhard Heiliger, Renee Sintenis, and Richard Scheibe...

After Fernando Botero – BULL, animal bronze sculpture, exquisite reproduction, great patina! Please give us up to 10 working days to organize your delivery. Bronze Sculpture Editio...

Artist: After Guillaume Coustou, French (1677-1746) Title: Cheval de Marly Medium: Bronze Sculpture, signature inscribed Size: 22 x 19 x 9 in. (55.88 x 48.26 x 22.86 cm) This be...

This bronze sculpture of a deer is a realistic rendering of the majestic animal. Deer have been the center of literature and art for many cultures across the world. They have also ...

John Okulick, large colorful wood wall sculpture construction "Perfect Harmony" Hand signed and dated, 1999 Dimensions: H: 52 inches: W: 54 inches: D: 10 inches John A. Okulick...

Johannes Boese (1856 Ostrog - 1917 Berlin), Mutterglück, um 1910. Goldbraun patinierte Bronze auf gegossener rechteckiger Plinthe, montiert auf zweifarbigem Marmorsockel (9,5 cm Höhe...

Emilio Casarotto Chubby Workout Sculpture

An art deco terracotta-painted plaster sculpture of a standing partly nude woman holding a tray, signed and dated "KA (19)15" by Swedish sculptor Knut Andersson (1884–1954). This pie...

Original and rare bronze sculpture of a young woman in contemplation by the well known American sculptor Helene Sardeau. Signed on the lower back “h. Sardeau” and dated 1928. Valsu...

Mark Morrison (1895-1964) Young Penguin, ca. 1950 Carved Tennessee Marble 8.5" x 7" by 3.5", height is 13 inches. Provenance: Estate of Mrs. Mark Morrison. Born: Kingfisher, O...

Pablo Picasso Malaga 1881 - 1973 Mougins Petite Chouette, 1949 White earthware with engobe decoration, glazed interior 13 x 15 x 11 cm Impressed studio marke to undersite "EDITION P...

Marcelo Morandin 1933-1996 Untitled (Embracing Couple, Lovers) Bronze 1988; ed. P/E; Hand signed, dated and editioned to lower edge DImensions: 48.5 x 32 x 21 cm / 18.8 x 12.5 x 8.2 inches (approximately) PAREJA, Bronce, patinado Marcelo Morandin (1933 - 1996) was active/lived in Argentina, Mexico. Argentinian, Mexican Postwar & Contemporary sculptor Morandin is best known for his monumental sculpture. This is a wonderful, art deco inspired nude couple, the woman appears pregnant). Marcello Morandín (Marcelo Román Morandín Paroni) was born in 1933 in Argentina. He was an important plastic artist and Argentine architect, distinguished in Mexico for being an excellent sculptor and furniture designer. At the end of his studies at the Faculty of Architecture of Buenos Aires, Argentina, he traveled to Mexico and settled in Xalapa, Veracruz. In this city he was part of several artistic projects and noted for being one of the founders of the Department of Aesthetic Research and Applied Design at the University of Veracruz, as well as the Department of Aesthetic Research at UNAM. Between the years 80 and 90, he carried out several monumental works, among them "La pigeon de la paz" a project for the UN; "The foundation of Tenochtitlan" located in front of the Official Residence of Los Pinos; and "The Kinetic Tower" Of the government of Veracruz that combines the light and the sound with diverse moving parts to the compass of the music of Arnold Schoenberg. (Lily Kassner. Dictionary of Mexican sculptors of the twentieth century. Volume II. Mexico. Conaculta, 1997). Similar in style to Israeli artists Aharon Bezalel and Isaac Kahn. He has shown with Jose Villalobos, Nicolas Moreno, Pedro...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: An Evening in 1922 Year: 1982 Medium: Bronze Edition: 61/250 Numbered, 12 AP, 9 HC Size: 17 inches Condition: Excellent Inscription...

A Native North American carved wood and painted effigy figure, Hopi Katsina or Kachina doll. A wonderfully playful, coloured and highly individual Hopi Katsina doll. Each doll repr...

Bronze on a marble base It bears Mayo's signature. Trademark Fondart - Lagana Napoli. “Of the first sculpture, a group of highly vigorous original artistry, all that remains is Ada...

This engaging artwork was created by the well known Italian artist Walter Valentini, in 1985. The title is "Piccole tracce" translated in Little Trace...

Original female nude bronze by the well known French sculptor Louis Chalon. Signed on one of the pillows. See photograph. Circa 1920. Art Deco. Condition is very good. Vienna bronz...

This piece is an A.R. turned round plate by Pablo Picasso made in 1957. It is made with red earthenware clay, engobe decoration, and knife engraved in black. It is numbered 279/ 500 ...

Unknown Artist - Owl, Medium: Bronze Sculpture on Marble Base, Size: 12 x 4 x 3.25 in. (30.48 x 10.16 x 8.26 cm), Frame Size: BASE SIZE: 2 x 4.75 x 4.75 inches

WRESTLERS 1936 Olympics Porcelain Gay Mid-Century Art Deco Modernist LGBT Herend "Wrestlers" Porcelain, 1936 Stamped P. Farkus on top of base. Stamped Herend on bottom of base. 16...

An accomplished sculptor, draftsman, and designer of the 20th century, William Hodd McElcheran (1927 - 1999) worked in architectural design and produced a body of figurative works in...

Artist: Dale Chihuly Title: Peach Tabac Basket Medium: Hand Blown Glass Dimensions: 5" x 7 1/2" x 7 1/2" Year: 1979 Inscription: Signed and dated "Chihuly '79" During the 1970s, Dal...

Carved in the green marble know as verde prato, by a Florentine sculptor of the XX century this grand tour version of the Leone "Marzocco" is an exquisite example of elegance and her...

ARTIST: Salvador Dali TITLE: Lincoln in Dalivision Platinum Bas Relief MEDIUM: Bas Relief SIGNED: Embossed Signature. The Bas Relief bears the artist signature toward the bottom...

1920's American Art Deco Architectural Aluminum Plaque Barbizon-Plaza Hotel NYC Lawrence Emmons (American 20th century) Art Deco Panel from Barbizon-Plaza Hotel 50 x 36 inches Cast ...

Handmade Benin sculptural tribal bronze figural judgement throne chair. The base of the chair with two tiers of standing figures. The back of the chair with two more tiers of standin...

This is an interesting multiple artwork signed by the author Annie Lambert, a talented young artist of years 80' in Italy. This is a multiple of a numbered edition of 1.000 pieces; ...

Giuliano Tincani (Italian, 20th Century) Pair of Rock Crystal Obelisks Clear quartz crystal and sterling silver 13 x 4 x 2.5 inches, each These obelisks present as a matched pair of...

Helen Weber Large wall hanging wood and metal sculptural relief in a tropical Hawaiian or Polynesian motif with tropical flowers. "Art belongs everywhere from cruise ships to church...

Asger Jorn (1914-1973) Ege Axminster, Denmark. Danish Tapestry Rug Art-Line Etiquette de l'éditeur Ege Axminster (Danemark) titrée au revers. Les Emigrants 132 x 98 inches, Pure ...

Artist: Dale Chihuly Title: Chinese Red Seaform Pair Medium: Hand Blown Glass Size: 5.5" x 10.5" x 7.5" Inscription: Signed "Chihuly" and inscribed with "PP95" for Portland Press Edi...

A very beautiful antique Art Nouveau bronzed Carrara marble sculpture bust of a young maiden circa 1900, by Gustave Van Vaerenbergh (1871-1927). The sculpture portrays a beautiful young maiden made from Cararra marble, she is wearing a laurel wreath in her hair. She wears a bronzed bodice with leaf decoration in relief and is raised on a varigated grey & white socle base. The sculpture is signed to the rear " G. V. Vaerenbergh" and numbered "1173", the bust is in excellent condition. Gustave Van Vaerenbergh attended classes at the Academy of Fine Arts in Ghent, Belgium from 1888 to 1890. Like many artists from a modest background (he was the son of a shoemaker) , Gustave Van Vaerenbergh went to work in companies where he could use his artistic talent and education for commercial purposes. In 1901 he moved to Saint-Josse-ten-Noode , and a year later to Schaerbeek where he would live for the rest of his life. He went to work there as a " mouleur en plâtre " (modeller or maker of matrices for plaster statues) at the company A. Carli Frères in the L'Olivierstraat in Schaerbeek, a company that produced commercial statues. This successful company, which was active from the beginning to the middle of the twentieth century , initially had about 20 employees and at its peak about 100 employees. The statues were distributed worldwide. Antonio Carli, a sculptor, was the founder of the Atelier A. Carli Frères, together with family members. They came from Bagni di Lucca...

Welded, brazed sculpture on wooden base This is not signed or dated This work is unsigned. We were told it was the work of Seymour Lipton but as there is further documentation we are selling it as attributed and cannot guarantee it as such. Seymour Lipton (1903 – 1986) was an American abstract expressionist sculptor. He was a member of the New York School who gained widespread recognition in the 1950s. He initially trained as a dentist, like fellow sculptor Herbert Ferber, receiving his degree from Columbia University in 1927. In the late 1920s, he began to explore sculpture, creating clay portraits of family members and friends. His early choices of medium changed from wood to lead and then to bronze, and he is best known for his work in metal. Like his contemporary, Abstract Expressionist Jackson Pollock, and Arshile Gorky Lipton was influenced by Carl Jung’s work on the unconscious mind and the regenerative forces of nature. He translated these two-dimensional drawings into three-dimensional maquettes that enabled him to revise his ideas before creating the final sculpture. The forms that Lipton produced during this period were often zoomorphic, exemplifying the tension between the souls of nature and the automatism of the machine. He made several technical innovations, including brazing nickel silver rods onto sheets of Monel to create rust resistant forms. Seymour Lipton is best known for his textured torch welded metal sculptures...

Created in 1971, this cast polyester resin cube exemplifies Peter Alexander's pioneering use of industrial materials to investigate light, color, and perception. A leading figure of ...

This intense and engaging abstract sculpture was create in 1980 by the Italian artist Lino Tinè. This is a multiple of 300 specimens, numbered and signed by the artist. The title is ...