Ernest Montaut Prints and Multiples

Playful black and white etching of a child figure looking out on a quaint city square in Nancy, France, 1959. Signed and dated lower right, titled and numbered 16 of 140 lower left. ...

Original collotype lithograph of a figure drawing from Gustav Kilmt’s handzeichnungen (sketch) in 1922 by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is pr...

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "bee." Smith has used one of her animal/insect iconic figures for this glassine paper and wove pap...

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "squirrel." Smith has used one of her animal/insect iconic figur...

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. This red and black lithograp...

ARTIST: Salvador Dali TITLE: Changes in Great Masterpieces Persistence de la Memoire MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: E 144/150 MEASUREME...

Artist: Salvador Dali Title: Enigma of The Rose Medium: Color Lithograph on Paper Sheet Size: 29.75" x 21.375" Edition: EA, outside of the edition of 150 Year: 1976 Publisher: Levine...

Page Size: 20 x 24 in. (visible) Frame size : 47 x 32 in. Signed, bottom right. Numbered, Bottom left: 144/200. COA available upon request. Created by Pablo Picasso in 1961, this ic...

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "bat." Smith has used one of her animal/insect iconic figures fo...

ARTIST: Salvador Dali TITLE: Escargot MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: I/XXV MEASUREMENTS: Paper: 14.48" x 11" Frame: 19" x 15" YEAR: 1970 ...

After Marc Chagall (1887–1985), “Place de la Concorde” 1952. Not examined out of frame. Under glass. Color lithograph on wove paper. Unsigned. Unknown edition. Condition is very g...

Daniel Arsham Rose Quartz Eroded Bust of Rome, Divinisée, 2020 Signed and Numbered (84/150) poster (offset print), published 2021 Daniel Arsham’s Rose Quartz Eroded Bust of Rome, D...

George Bellows Business-Men's Class, Y.M.C.A, 1916 Signed, numbered "No. 41" and titled lower margin Lithograph on wove paper 11 1/2 x 17 1/8 inches Edition of 64 Provenance: Hirschl & Adler Galleries, New York Private Collection, Ohio Literature: Mason, 20. After his arrival from Columbus, Ohio in 1904, Bellows lived at the West Side YMCA. It was there that he met Eugene Speicher, another aspiring young artist who was to become his lifelong friend. Always interested in the anatomy of the human body, Bellows often satirized the various types who, while leading a sedentary life, feel compelled to devote a portion of their daily routine to physical self-improvement. Throughout his brief but illustrious career, George Wesley Bellows created striking scenes that documented ordinary American life in all its beauty and banality. Considered an American Realist, the artist eschewed embellishment, finding inspiration in the gritty boroughs of New York City, the rocky coastline of Maine, and, later, in his friends and family. Bellows garnered early recognition for his arresting portrayals of illegal prizefighting, dramatic works executed in dark tonal palettes that underscore the brutality of the violent sport. Bellows’ elderly Methodist parents hoped their son might pursue the ministry, a calling the extroverted athlete never received. The Columbus native competed on the baseball team at Ohio State University and also served as an illustrator for the college yearbook. In the fall of 1904—just months shy of his expected graduation—Bellows defied his father’s wishes and boarded a train to New York City in hopes of becoming a magazine illustrator like his idols Howard Chandler Christy and Charles Dana Gibson. Before leaving, he reportedly turned down an offer to play professional baseball with the Cincinnati Reds...

Complete set of eleven laser photocopies in the original cloth-covered portfolio Edition 3 of 25 36.4 x 28 cm (each), (14.33 x 11.1 in) Signed and numbered on the accompanying portfo...

Crisp antique copper engraving of a unique floor plan of French horse stables from Recueil d'Architecture, 1780. Original artwork on paper displayed on a...