Peyton Pickenpaugh Art

Petite Vibration Brique et Noir (1966) Painted wood with a painted metal rod and nylon thread Edition Galerie Bischofberger, Zurich Ed. 16 / 35 20 x 18 x 18 in Provenance: Galerie Elke Dröscher, Hamburg Galerie Meißner, Hamburg (1976) Private collection, Baden-Württemberg Lempertz Auction. Contemporary Art...

This piece titled "Hieroglyphics (MS Paint Toolbar)" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crocheted acrylic hanging from a wooden ...

This piece titled "It Girl" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crocheted acrylic on MDF with 35 colors and 8,880 stitches using ...

Charles Lutz Olympus, Set of 4 Louis Vuitton Stacked Boxes Wood, canvas, leather, and brass Dimensions (stacked): 25.5 x 21.5 x 69.75 inches Unique Co...

"Extra In, Field Flagship (Linea Pictura — Diptych)" is an original artwork by Hyland Mather made of acrylic, ink, string, pins on drop cloth, in tray frames. The diptych measures ap...

From a poor country, Haitian artist Pierrot Barra, and perhaps his wife, Marie Cassaise, use simple, inexpensive, found materials to create a rich, elegant spiritual object endowed w...

III (Wish #1, Wish #2, Wish #3) Set of 3 Wishbones - Peter Norton Christmas Gift Fanciful set of three different wishbones by Lorna Simpson (American, b. 1960). Three wishbones, one...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

This piece titled "Snake > Pong" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crocheted acrylic on MDF with 21 colors and 8,037 stitche...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life. Also known as forget-me-not jugs or spirit jars...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

This piece titled "Mercy Seat" is an original artwork by Jason Andrew Turner made of acrylic on MDF, plywood, acid-dyed linen, foam, and batting. Cut and se...

gilded wood with gold leaf and fabric For over a decade Mateo has focused his work on the analysis of the rites and symbols of power, the high classes, aristocracy, and royalty. H...

Rosamond Berg (American, 1931 - 2018) Voyage I, 1982 Mixed media construction including hand-dyed cotton cloth pouches 24 x 24 inches Signed, titled an...