Regine David Interior Paintings

"Interior with Chair and Vanity" circa 1918 Ricardo Gomez-Gimeno (Spain/France 1892-1954) Oil on cardboard Signed 17 1/4 x 14 1/4 (22 1/2 x 19 1/2 frame) This painting and its mat...

Large Painting 'Fin De Neige Sur la Seine' (End of Snow on the Seine) 1971 Oil on canvas Hand signed and titled on canvas verso and dated on stretcher '10 Dec 71'. Provenance: Wally...

Dietz Edzard German, 1893-1963 Au Circus Oil on canvas 22 by 31 in. W/frame 32 by 41 in. Signed lower right Dietz Edzard was born in Bremen in 1893 Germany. He traveled extensive...

A charming oil painting depicting an interior scene of a mother and child reading together while sitting on a table round table with a mantel, and a window on the background with the...

Apples and Jug by Lu Haskew Pastel 18x24" image size 22x28" Framed behind glass, white wood with gold highlights Still Life of a brown jug surrounded by colo...

EMIILIO GRAU SALA Spanish, 1911 - 1975 LE MOULIN DE LA GALETTE signed "Grau Sala" (lower right) oil on canvas 59-1/4 x 67-1/4 inches (150.5 x 170 cm.) framed: 62-1/2 x 70-1/4 inches...

Signed fauvist oil on canvas still life by French post impressionist painter Louis Valtat. The work depicts a green vase filled with roses in different shades of pink set against a y...

Hand signed lower right Rare Pre World War II (Pre Holocaust) Judaica Art. European Judaic art from this period is exceedingly rare. Péczely Antal Anton 1891 - 1963 Known for his Je...

Signed still life oil on canvas circa 1920 by French post impressionist painter Hippolyte Petitjean. depicting a beautifully coloured view of a vast landscape. The piece depicts a green jug, a bowl of red apples, a brown two-handled jug and a vase of flowers, all placed on a wooden table. Several landscape paintings adorn the wall behind. Signature: Signed with cachet lower right and again verso Dimensions: Framed: 26"x30" Unframed: 18"x22" Provenance: Galerie de l'Institut - Centenary Exhibition of Hippolyte Petitjean (1955 ) - original labels verso Hippolyte Petitjean started his training in Mâcon and then became a student at the École des Beaux-Arts, Paris, where he worked in Cabanel's studio. By selling two Seurat paintings...

This painting depicts an interior scene of a woman seated at an apartment in Paris with a window that overlooks the city and an iconic church with the artist's reflection in the armo...

Les Roses Mixed bouquet of roses, Oil painting PROVENANCE: Purchased at Findlay Galleries in Chicago, Illinois late 1960’s bears their label verso and has their original price tag ...

In the late 1960', computers were different then they are today. A whole room was required to accommodate an IBM mainframe. It's here that this romantic scene takes place: in the p...

A stunning early 20th century British Post-Impressionist floral oil painting by noted "Modern British" artist Elliott Seabrooke. He was a very interesting painter, and this post-Impr...

Samuel Rothbort (1881-1972) Floral, oil on canvas mounted board 22 x 30 1/2 in (55.9 x 77.5 cm), Hand signed lower right. Provenance: From the estate of the artist by descent to the granddaughter. Samuel Rothbort (Russian American Jewish folk artist 1881-1972) was born in the small town, shtetl of Wolkovisk in the Russian Woodlands.During his youth he worked as a cantor and traveled to various towns and villages, gaining many impressions of life in that era. Poverty as well as the political unrest of the times led to his immigration to America in 1904. Upon arrival in America, Samuel Rothbort worked as a laborer and muralist eventually giving that up to become a watchman of newly built homes. While on duty he began molding figures in clay and upon the advice and encouragement of his employer and colleagues he began to take his artistic talents more seriously and pursued this endeavor. Rothbort therefore began doing free-hand painting, murals on walls and ceilings for private homes and commercial establishments. In 1909 he met and married Rose Kravitz, which marked the start of his career as an artist. Well known for his scenes of New York City life, executed in heavy impasto. Rothbort exhibited from the 1920s-60s, at the Salons of America, Pratt Institute, Brooklyn Museum, and a gallery at Rockefeller Center; however, he refused to sell his work, and in 1948, opened the Rothbort Home Museum of Direct Art, in his studio-home. Samuel Rothbort was a self taught outsider artist painting every subject in his own folk art impressionistic style. His artistic range was broad and he never stopped creating. He was fascinated with nature and his works are filled with his delightful perceptions of his surroundings. Rothbort worked in oil, watercolor, and pen & ink. In the years of the depression there was little money, Rothbort could not afford paint or canvas. It was there that he began carving wood and stone using found materials like driftwood, rails, and old fence posts. While not associated with the WPA, he was an artist of that period and sensibility. Rothbort entered the art world and spent much of his life in pursuit of modernist painting and sculpture. He was a member the Society of Independent artists, the Salons of America, the People's Art Guild, and the Brooklyn Society of Artists. During the 1920's and early 1930's , Samuel Rothbort was regularly represented in exhibitions organized by The Brooklyn Museum of Art. Through the 1930's , Rothbort exhibited his watercolors and sculptures at Grant Studios in Brooklyn. In 1940, he began a 28 year relationship with the Barzansky Gallery on Madison Avenue in New York City exhibiting oils, watercolors, and sculpture in individual and group shows. From 1915 through the 1960's, he was represented by many commercial galleries. Hamilton Easter Field, artist, publisher and founder of the Brooklyn Society of Artists was an early supporter of Rothbort's art work and helped further his career. Rothbort received much recognition for his naive folk art paintings which he often displayed in unique primitive frames that he had hand-carved he is also known for his social realist street scene paintings. In 1952, Rothbort wrote a book on his sculpture, entitled "Out of Wood and Stone", which he dedicated to Hamilton Easter Field. A significant expression for Samuel Rothbort's career occurred in the late 1930's through the 1940's when he began painting "memory paintings " or recreation of his boyhood experiences of life in the ghettos and surrounding areas of the woodlands and marshes of Polesia - White Russia. A prized winning documentary, "Memories of The Shtetl" was produced by Harriet Semegram (previously titled " The Ghetto Pillow ") and shown at the Edinburgh Film Festival. It utilized 215 of Samuel Rothbort's watercolors and became the major visual resource material for Jerome Robbins movie and play, " Fiddler On The Roof ". Another award winning documentary on Jewish Folk Art " The Lost Wooden Synagogues of Eastern Europe " which was produced by Albert Barry and Florida Atlantic University, used many of Rothbort's paintings in the film to show life in pre-war Eastern Europe. The film was shown at the U.S. Holocaust Museum in Washington, D.C. and on Public Television. He was a member of The Brooklyn Soc. of Artists; Soc. of Indp. Artists; and Brooklyn WCC. He exhibited at the SIA, 1917-40; Pratt Inst., 1919-22; Salons of Am., 1922-34; Brooklyn Mus., 1922-33; Charles Barzansky Gal., NY, 1940-44; Jewish Mus., NYC, 1984-85. His works hang in the NMAA; Brooklyn Mus.; Heckscher Mus.; Mus. of Stony Brook; Montclair AM; Sardoni AG; and Rutgers Univ. AG. Samuel was best known for his scenes painted in and around NYC. He had a bold style marked by heavy impasto. Selected Solo Exhibitions: 2003 New York, NY; Luise Ross Gallery New York, NY; Hollis Taggart Galleries 1998 East Hampton, NY; Morgan Rank Gallery New York, NY; Benjamin Cardozo Gallery, Yeshiva University Museum 1997 New York, NY; Giampietro Gallery 1985 Brooklyn, NY; Chassidic Art Institute 1968, 64 New York, NY; Kaufman Art Center 1940-6, 54, 56, 61, 65 New York, NY; Charles Barzansky Galleries 1960 Chicago, IL; Welna Gallery 1940 Brooklyn, NY; Tilden Gallery 1938 Brooklyn, NY; Lincoln Gallery 1934 Brooklyn, NY; Grant Studios Selected Group Exhibitions: 1998 Huntington, NY; Heckscher Museum, Celebrating New York: A Centennial Exhibition 1984-86 New York, NY; The Jewish Museum, The Jewish Heritage in American Folk Art (Travelling exhibition) 1968 New York, NY; National Arts and Antiques Show 1940-68 New York, NY; Charles Barzansky Galleries 1964 Bethesda, MD; Chevy Chase Gallery 1963 Huntington, NY; Heckscher Museum 1944 Richmond, VA; Virginia Museum of Fine Arts 1917-23, 25-31, 34, 38-40 New York, NY; Society of Independent Artists 1939 New York, NY; Academy of Allied Arts Gallery 1937-39 New York, NY; Vendome Gallery 1934, 39 New York, NY; Fifteen Gallery...

EMILIO GRAU SALA Spanish, 1911 - 1975 SCÈNE FAMILLIALLE signed "Grau Sala" (lower right) signed, titled, located and dated "GRAU SALA / SCÈNE FALLIALLE / PARIS 1969" (on the reverse)...