Used Oil Paint Brushes

Manner Of Luigi Maria Galea (1847-1917) circa 1900 The Grand Harbour, Valetta, early morning; and The Grand Harbour, Valetta, at dusk signed illegibly l.r. oil on board Measure...

Built through successive layers of oil paint applied with brushes and palette knives, the surface reveals scraped passages, translucent veils and areas of pronounced texture.

I built the surface through layers of oil paint, using brushes and palette knives to create scraped, broken, and heavily textured passages.

The painting is built through successive layers of oil paint and worked with both palette knife and brush.

I developed the painting in layers of oil paint, using brushes, palette knives, scraping, and drawn or incised marks to build a varied surface.

I developed the painting through successive layers of oil paint, using brushes, palette knives, scraping, and repeated applications and removal of color to build the surface.

I developed the surface through layers of oil paint, using brushes, scraping, and palette knives to create both thin, translucent passages and areas of heavier texture and impasto.

I developed the painting through successive layers of oil paint, using brushes, palette knives, scraping, and gestural mark-making to build a heavily worked surface.

The painting is built through successive layers of oil paint and worked with both palette knife and brush.

The technique used by the artist is a very liberal use of the oil paint and brush strokes, creating quite a tactile effect.

In some cases the paintings can be smooth with the brush marks hidden. Other works emphasize the plastic qualities of oil paint, showing the brush marks as a contrast to the realism ...

In some cases the paintings can be smooth with the brush marks hidden. Other works emphasize the plastic qualities of oil paint, showing the brush marks as a contrast to the realism ...

The composition is built through successive layers of oil paint, applied with both brush and palette knife, creating a richly textured surface.

Built through successive layers of oil paint applied with both brush and palette knife, the surface reveals rich textures and subtle variations of light.

In some cases the paintings can be smooth with the brush marks hidden. Other works emphasize the plastic qualities of oil paint, showing the brush marks as a contrast to the realism ...

Within each painting, I generally work with a limited palette to keep the visual focus on texture and atmosphere, as well as extending what I can discover within that palette. Oil pa...

Within each painting, I generally work with a limited palette to keep the visual focus on texture and atmosphere, as well as extending what I can discover within that palette. Oil pa...

Within each painting, I generally work with a limited palette to keep the visual focus on texture and atmosphere, as well as extending what I can discover within that palette. Oil pa...

The work combines elements of abstract painting with an impressionistic approach to landscape, using earth tones, ochres, muted greens, blues, and warmer passages to evoke the distin...

Vintage Arbruzzi Shepard Oil Painting Panel Signed by Harvey Dinnerstein Includes Book: Artist At Work Dimensions: 16.75"W X 1.25"D X 22.75"H

In some cases the paintings can be smooth with the brush marks hidden. Other works emphasize the plastic qualities of oil paint, showing the brush marks as a contrast to the realism ...

Within each painting, I generally work with a limited palette to keep the visual focus on texture and atmosphere, as well as extending what I can discover within that palette. Oil pa...

Within each painting, I generally work with a limited palette to keep the visual focus on texture and atmosphere, as well as extending what I can discover within that palette. Oil pa...

Within each painting, I generally work with a limited palette to keep the visual focus on texture and atmosphere, as well as extending what I can discover within that palette. Oil pa...

Within each painting, I generally work with a limited palette to keep the visual focus on texture and atmosphere, as well as extending what I can discover within that palette. Oil pa...

Vintage Large Original Floral Lanscape Water Lily Wall Art "IN THE RAIN" Oli on Canvas by Zhang Yibo, Wooden Gold Leaf Frame and Hanging Devise Back of the Frame ready to install Dim...

Within each painting, I generally work with a limited palette to keep the visual focus on texture and atmosphere, as well as extending what I can discover within that palette. Oil pa...

Within each painting, I generally work with a limited palette to keep the visual focus on texture and atmosphere, as well as extending what I can discover within that palette. Oil pa...

Within each painting, I generally work with a limited palette to keep the visual focus on texture and atmosphere, as well as extending what I can discover within that palette. Oil pa...

Created using thick applications of oil paint applied with large brushes and combs, resulting in distinctive textural reliefs.

Within each painting, I generally work with a limited palette to keep the visual focus on texture and atmosphere, as well as extending what I can discover within that palette. Oil pa...

Within each painting, I generally work with a limited palette to keep the visual focus on texture and atmosphere, as well as extending what I can discover within that palette. Oil pa...

Within each painting, I generally work with a limited palette to keep the visual focus on texture and atmosphere, as well as extending what I can discover within that palette. Oil pa...

Within each painting, I generally work with a limited palette to keep the visual focus on texture and atmosphere, as well as extending what I can discover within that palette. Oil pa...

In some cases the paintings can be smooth with the brush marks hidden. Other works emphasize the plastic qualities of oil paint, showing the brush marks as a contrast to the realism ...

This was followed by heating the plate and working with the soft-ground etching process until the desired result was achieved. Finally, Robbe painted the subject on the zinc plate wi...

Within each painting, I generally work with a limited palette to keep the visual focus on texture and atmosphere, as well as extending what I can discover within that palette. Oil pa...

Within each painting, I generally work with a limited palette to keep the visual focus on texture and atmosphere, as well as extending what I can discover within that palette. Oil pa...

Within each painting, I generally work with a limited palette to keep the visual focus on texture and atmosphere, as well as extending what I can discover within that palette. Oil pa...

Within each painting, I generally work with a limited palette to keep the visual focus on texture and atmosphere, as well as extending what I can discover within that palette. Oil pa...

Leroy labored on canvases for months, sometimes years, applying layer after layer of oil paint, brushing, scraping, and digging it and squeezing directly from the tube until the orig...

The artist has built up the composition using scumbled layers of oil paint, allowing the varied brush textures to suggest the soft fabric of the collar and the diffuse light across t...

Willem Bals, known professionally as Wim Bals, is a contemporary Belgian painter born in 1973 in Beveren-Waas, East Flanders, who now lives and works in nearby Stekene (Belgium He wa...

Willem Bals, known professionally as Wim Bals, is a contemporary Belgian painter born in 1973 in Beveren-Waas, East Flanders, who now lives and works in nearby Stekene (Belgium He wa...

Bals Wim 'De Galego' Oil on wood. Signed. With a certificate on the back signed by the artist Willem Bals, known professionally as Wim Bals, is a contemporary Belgian painter born i...

Willem Bals, known professionally as Wim Bals, is a contemporary Belgian painter born in 1973 in Beveren-Waas, East Flanders, who now lives and works in nearby Stekene (Belgium He wa...

Built through successive layers of oil paint applied with both brush and palette knife, the composition unfolds in broad horizontal bands that suggest sandbanks, tidal flats and dist...

The resulting surface has a soft, almost velvety texture, achieved through the subtle, gradual application of oil paint with small brushes and various oil paint mediums.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

While most of the materials used are flat against the paper's surface we do see the dimensional texture of the oil paint, an occasional splatter, and brush strokes.

Deeply grounded in highly skilled draftsmanship, Logan’s paintings are created through the liberal application of oil paint via a brush or palette knife plus extensive color experime...

Deeply grounded in highly skilled draftsmanship, Logan’s paintings are created through the liberal application of oil paint via a brush or palette knife plus extensive color experime...

Deeply grounded in highly skilled draftsmanship, Logan’s paintings are created through the liberal application of oil paint via a brush or palette knife plus extensive color experime...

Deeply grounded in highly skilled draftsmanship, Logan’s paintings are created through the liberal application of oil paint via a brush or palette knife plus extensive color experime...

Deeply grounded in highly skilled draftsmanship, Logan’s paintings are created through the liberal application of oil paint via a brush or palette knife plus extensive color experime...

Whether he is making a drawing or a painting, he may employ something like fluorescent acrylics to create a graphic pattern, a hard edged line or a geometric shape. Next, he may use ...

Whether he is making a drawing or a painting, he may employ something like fluorescent acrylics to create a graphic pattern, a hard edged line or a geometric shape. Next, he may use ...